[en] This article aims to provide an overview of the intricate overlap of agent roles that characterized the production process of a popular bilingual work — Le chanteur de rues bruxellois/The Brusselsche straatzanger [The Brussels Street Singer] — which circulated in the Belgian capital between 1897 and 1899. By reassembling the micro-networks around the production process of The Brussels Street Singer, this study shows how the interaction and interference of different actors and agent roles led to the creation of a fundamentally hybrid work, one that allows for a better understanding of the Belgian literary configuration at the turn of the twentieth century.
Disciplines :
Arts & humanities: Multidisciplinary, general & others
Author, co-author :
Gonne, Maud ; Université de Liège - ULiège > Département de langues modernes : ling., litt. et trad. > Département de langues modernes : ling., litt. et trad.
Language :
English
Title :
Overlap of agent roles in early 20th century Belgium: 'a lucrative way of spending time'
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