Abstract :
[en] The European Union (EU) has long recognised the artistic, economic, and geopolitical value of its cultural industries, with the European Film Industry (EFI) playing a key role in its external cultural relations. Given the South Korean film industry’s relevance in the internal and international market, it offers a valuable case for analysing the interface between European and non-European film industries, particularly in the context of the EU’s external cultural relations. This paper examines how the EU promotes European films, and more broadly the EFI, in South Korea, focusing on market performance, policy instruments, and the consistency of initiatives between the European and the national levels. Based on market data, document analysis, semi-structured interviews with European and South Korean film professionals, and participant observation at the Asian Contents & Film Market, the article provides a comprehensive analysis of the EU’s and member states’ interests and strategies in promoting the EFI in South Korea.
Funding text :
The authors disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This work was supported by the European Union\u2019s Horizon Europe Research and Innovation programme under Grant Agreement No. 101094796. This research was funded by the Horizon Europe programme of the European Union and the call HORIZON-CL2-HERITAGE-01-06 under the Grant Agreement No 101094796 (REBOOT: Reviving, Boosting, Optimizing, and Transforming European Film Competitiveness project). It does not reflect the views of the European Union.
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