Keywords :
typographical ornaments; tailpieces; headpieces; fleurons; counterfeits; Fournier, Pierre-Simon; material bibliography; Gessner; Montesquieu; von Wartburg; Collart, Muriel; Piette, Alice; Droixhe, Alice; SWEDHS; Viret, Abraham-François; %achuel, Pierre; foliation; Archives départementales de Seine-Maritime; Universiteit Gent; Revue Voltaire; Nouffer; Genève; Mort d'Abel; Idylles; Bibliotheek Universiteit van Amsterdam; Voltaire; Le siècle de Louis XIV; Defoe; Robinson Crusoë; La vie et les aventures surprenantes de Robinson Crusoé; typographic matrix; typoflower; hypertypoflower; archifleuron; hyperfleuron; Liège; Bassompierre, Jean-François; Jouissance de soi-même; Caraccioli; Estienne Brothers; Pluche; Histoire du ciel; Linguet; Cacomonade; typographic restoration; typographic tropology; typographic chronology; typochronology; typotropology; Coutney, Cecil Patrick; Raynal, Guillaume-Thomas; Histoire philosophique et politique des établissements et du commerce des Européens dans les deux Indes; Bancarel, Gilles; Adams, David; Fortuny, Claudette; Goggi, Gianluigi; Kachur, Iryna; Vanwelkenhuyzen, Nadine; Plomteux, Clément; Dufour, Jean-Edme; Maastricht; esperluette; ampersand; kaufmännisches Und; signo comercial; rocaille; rockery; title page; Smith, David; Brown, Andrew; evolutiv refection; progressive renovation; systematic recomposition; composite ornament; compound ornament; Signatures clandestines; shared edition; reconstructive puzzle; Du Buat; seahorse ornament; Barber,Giles; Candide; Oursel, Louis-Joseph; Marmontel; Bélisaire; Graffigny, Mme, CCFR; BnF; scanning; Venn diagrams; Cahiers Voltaire; Kölving, Ulla
