Keywords :
Maurois, André; Romains, Jules; Abbaye de Créteil; Créteil; Durtain, Luc; Pullman; Raisins de la colère; lavabo; american immodesty; alcool; alcoholism; Durham; Duke University; North Carolina; Zola; Germinal; Proust; segregation; The Grapes of Wrath; Steinbeck, John; Black lives matter; Jim Crow; New Orleans; Captain O.K.; civil rights; droits civils; racial marriage; race; black; Black neighborhood; carpet-baggers; Sinclair, Upton; Chicago slaughterhouses; ségrégation; Louisiana; coloured people; racial equality; afro-american culture; National Association for the Advancement of Coloured People; Burghardt, William Edward; Masereel; Morancé, Albert; Wolff, Kurt; Rutten & Loening; Al Jolson; The Jazz Singer; Bohemian Grove; swing music; Baty, Gaston; Iché, René; Harlem Renaissance; Locke, Alain; A Decade of Negro Self-Expression; The Negro in America; The Negro and His Music; Straight Colle; Tuskegee (Macon); Moorland-Spingarn Research Center; Dollian, Guy; Avermaete, Roger; Salmon, André; Picasso; Jacob, Max; Apollinaire; Histoires de Boches; Parks, Rosa; Roland, Walter; blues; Red Cross Store Blues; Welfare state; James, Skip; Campbell, Weenie; field hollers; Leadbelly; Take this Hammer; Jazz; Soupault, Philippe; Hoover, Herbert; communism; Charlier, Gustave; Bartholdi; Freemasonry; franc-maçonnerie; Statue de la Liberté; Le Voyage de Moscou; L'Autre Europe: Moscou et sa foi (1928); Parti communiste français; Ukraine (guerre)
