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Introduction. Minority Report(s)
Lange, André
2014In Kanzler, Martin (Ed.) FOCUS 2014. WOrld Film MArket Trends
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Keywords :
film market; marché du film; cinéma; diversité culturelle; cultural diversity; gender studies; films de femmes; women films; art house films; cinéma art et essai
Abstract :
[en] All the studies carried out by the European Audiovisual Observatory in the last few years on various categories of “niche films” (arthouse films, films made in the new EU member states, films produced in the Mediterranean countries, films made in third countries other than the United States, films by women, European animated films, documentaries, children’s films, etc) illustrate with dramatic clarity the minority position of these various categories on the European market. For policymakers, institutional leaders, professionals and film lovers who treasure diversity, identifying these minority positions can have a depressing effect. However, statistical indicators are essential for producing a diagnosis and asking the questions that can lead to attempts to find solutions, whether political or professional. Is it normal that films by women in 2010-2012 only made up 17.5% of European film production and 8.7% of admissions of European films in the European Union, even though women represent half the population? Is it normal that in the European Union the market share of European films outsidetheir domestic market fluctuates from year to year between 6.3 and 9.6%? Is it normal that, ten years after EU enlargement, EU admissions of films originating from new Member States constitute on average 1.25% of all EU admissions even though those countries represent 19% of the total EU population? Is it normal that, each year, the market share of films other than American or European productions is just 2 to 3% of EU admissions and that this small share of the cake mainly goes to films from English-speaking countries (Australia, Canada, etc.), thus leaving only a few crumbs of market share to African, Arab, Asian and South American works or to works from European non-EU countries such as Russia or Turkey ? Is it normal that films that receive awards in Cannes or win a European Film Award rarely exceed 2.5 million admissions, i.e. that less than five European citizens per thousand actually see them in a cinema?
Disciplines :
Performing arts
Special economic topics (health, labor, transportation...)
Communication & mass media
Author, co-author :
Lange, André  ;  EAO - Council of Europe. European Audiovisual Observatory [FR]
Language :
English
Title :
Introduction. Minority Report(s)
Publication date :
2014
Main work title :
FOCUS 2014. WOrld Film MArket Trends
Main work alternative title :
[fr] FOCUS 2014. Tendances du marché mondial du film
Editor :
Kanzler, Martin;  European Audioviusual Observatory
Publisher :
Festival de Cannes / Internation Film Market, Paris, France
European Audiovisual Observatory, Strasbourg, France
Peer reviewed :
Editorial reviewed
Funders :
International Film Market - Festival de Cannes
EAO - Council of Europe. European Audiovisual Observatory
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