Archive; Graphic Novel; Materiality; Chris Ware; Serialization; Seriality; Database Logic
Abstract :
[en] This article focuses on the dynamics of seriality, archive and collection in Chris Ware's graphic novel “Building Stories”. It argues that the dispersed serialization of “Building Stories” is key to understand its box-of- comics format as well as its fragmented narrative structure. In a self-reflexive homage to the material history of comics, Ware's graphic novel indeed appears as an archive of its own serialization, foregrounding a process of collecting/dispersing fragments. [fr] Cet article examine les dynamiques de sérialité, d'archive et de collection qui animent le “Building Stories” de Chris Ware. Il s'agit de resiter l'importance d'une sérialisation dispersée de l'œuvre qui est clé à se structure en emboîtement et à son récit fragmenté. Par un homage réflexif à l'histoire matérielle de la bande dessinée, le roman graphique de Chris Ware apparaît en effet comme une archive de sa propre sérialisation, illuminant un processus de dispersion et de collection de ses propres fragments.
Research Center/Unit :
ACME
Disciplines :
Art & art history Literature Arts & humanities: Multidisciplinary, general & others
Author, co-author :
Crucifix, Benoît ; Université de Liège > Département de langues et littératures romanes > Département de langues et littératures romanes
Language :
English
Title :
From Loose to Boxed Fragments and Back Again. Seriality and Archive in Chris Ware's ‘Building Stories’
scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.
Bibliography
Audet, R., 2014. “To Relate, to Read, to Separate. A Poetics of the Collection and A Poetics of Diffraction.” Interférences littéraires/Literaire Interferenties 12: 35–45.
Baetens, J., 2010. “Strip, Série, Séquence.” Transatlantica 1: n. pag. Web. Accessed 20 June 2016. https://transatlantica.revues.org/4921.
Baetens, J., 2016. “Tintin in America, or How to Describe A Place You’ve Never Been. A Medium Analysis.” Image [&] Narrative 17 (1): 79–85.
Baetens, J., 2011. “Graphic Novels.” In The Cambridge History of the American Novel, edited by L., Cassutto, 1137–1153. Cambridge: Cambridge University Press.
Baetens, J., and H., Frey. 2015. The Graphic Novel: An Introduction. Cambridge: Cambridge University Press.
Ball, D. M., 2010. “Chris Ware’s Failures.” In The Comics of Chris Ware. Drawing Is a Way of Thinking, edited by D. M., Ball and M. B., Kuhlman. Jackson: University Press of Mississippi.
Banita, G., 2010. “Chris Ware and the Pursuit of Slowness.” In The Comics of Chris Ware. Drawing Is a Way of Thinking, edited by D. M., Ball and M. B., Kuhlman. Jackson: University Press of Mississippi.
Beaty, B., 2012. Comics Versus Art. Toronto: Toronto University Press.
Beaty, B., and B., Woo. 2016. The Greatest Comic Book of All Time. Symbolic Capital and the Field of American Comic Books. London: Palgrave.
Benjamin, W., 1999. The Arcades Project. Translated by H. Eiland and K. McLaughlin. Cambridge: Harvard University Press.
Berman, M. F., 2010. “Imagining an Idiosyncratic Belonging. Representing Disability in Chris Ware’s Building Stories.” In The Comics of Chris Ware. Drawing Is a Way of Thinking, edited by D. M., Ball and M. B., Kuhlman. Jackson: University Press of Mississippi.
Capart, P., and E., Dejasse. 2014. “In Search of the Lost Serial.” In The French Comics Theory Reader, edited and translated by B. Beaty and A. Miller. Leuven: Leuven University Press.
Chute, H., 2007. “Temporality and Seriality in Spiegelman’s in the Shadow of No Towers.” American Periodicals 17 (2): 228–244. doi:10.1353/amp.2007.0017.
Collins, J., 2013. “The Use Values of Narrativity in Digital Cultures.” New Literary History 44 (4): 639–660. doi:10.1353/nlh.2013.0035.
Denson, S., and A., Jahn-Sudmann. 2013. “Digital Seriality: On the Serial Aesthetics and Practice of Digital Games.” Eludamos: Journal for Computer Game Culture 7 (1): 1–32. Web. http://www.eludamos.org/index.php/eludamos/article/view/vol7no1-1.
Dittmer, J., 2014b. ““Narrating Urban Assemblages. Chris Ware and Building Stories.” Social & Cultural Geography 15 (5): 477–503. doi:10.1080/14649365.2014.908235.
Dittmer, J., 2014a. “Serialization and Displacement in Graphic Narrative.” In Serialization in Popular Culture, edited by R., Allen and T., Van den Bergh. New York: Routledge.
Evenson, B., 2014. Ed vs. Yummy Fur. Or, What Happens When A Serial Comic Becomes A Graphic Novel. Minneapolis: Uncivilized Books.
Folsom, E. D., 2016. “Archive.” In Literature Now. Key Terms and Methods for Literary History, edited by S., Bru, B., De Bruyn, and M., Delville. Edinburgh: Edinburgh University Press.
Freedman, A., 2015. “Chris Ware’s Epiphanic Comics.” Partial Answers: Journal of Literature and the History of Ideas 13 (2): 337–358. doi:10.1353/pan.2015.0020.
Gabilliet, J.-P., 2005. “Du Comic Book Au Graphic Novel: L’européanisation De La Bande Dessinée Américaine.” 2Image [&] Narrative 12: n. pag. Web. Accessed 20 June 2016. http://www.imageandnarrative.be/inarchive/tulseluper/gabilliet.htm.
Gardner, J., 2012a. Projections. Comics and the History of Twenty-First-Century Storytelling. Palo Alto: Stanford University Press.
Gardner, J., 2012b. “Building Stories: The Missing Manual.” Public Books. Web. Accessed 20 December 2012. http://www.publicbooks.org/building-stories-the-missing-manual/.
Gardner, J., 2013. “A History of the Narrative Comic Strip.” In From Comic Strips to Graphic Novels. Contributions to the Theory and History of the Graphic Narrative, edited by D., Stein and J.-N., Thon. Berlin: De Gruyter.
Gardner, J., 2016. “Time Under Siege.” In The Comics of Joe Sacco. Journalism in a Visual World, edited by D., Worden. Jackson: University Press of Mississippi.
Gaudreault, A., and P., Marion. 2015. The End of Cinema? A Medium in Crisis in the Digital Age. New York: Columbia University Press.
Ghosal, T., 2015. ““Books with Bodies: Narrative Progression in Chris Ware’s Building Stories.” Storyworlds: A Journal of Narrative Studies 7 (1): 75–99. doi:10.5250/storyworlds.7.1.0075.
Groensteen, T., 2007. The System of Comics. Translated by B. Beaty and N. Nguyen. Jackson: University Press of Mississippi.
Hague, I., 2014. Comics and the Senses. A Multisensory Approach to Comics and Graphic Novels. London: Routledge.
Hatfield, C., 2005. Alternative Comics. An Emerging Literature. Jackson: University Press of Mississippi.
Hatfield, C., 2014. “Do Independent Comics Still Exist in the US and Canada?” In La bande dessinée en dissidence. Alternative, indépendance, auto-édition/Comics in Dissent. Alternative, Independence, Self-Publishing, edited by C., Dony, T., Habrand, and G., Meesters. Liège: Presses universitaires de Liège.
Heer, J., 2010. “Inventing Cartooning Ancestors: Ware and the Comics Canon.” In The Comics of Chris Ware: Drawing is a Way of Thinking, edited by D. M., Ball and M. B., Kuhlman. Jackson: University Press of Mississippi.
Hoffman, E., and D., Grace, eds. 2015. Seth: Conversations. Jackson: University Press of Mississippi.
Jenkins, H., 2013. “Archival, Ephemeral, and Residual. the Functions of Early Comics in Art Spiegelman’s in the Shadow of No Towers.” In From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narratives, edited by J.-N., Thon and D., Stein. Berlin: De Gruyter.
Kashtan, A., 2015. “‘And It Had Everything in It’: Building Stories, Comics, and the Book of the Future.” Studies in the Novel 47 (3): 420–447. doi:10.1353/sdn.2015.0034.
Lefèvre, P., 2000. “The Importance of Being ‘Published’: A Comparative Study of Different Comics Formats.” In Comics Culture. Analytical and Theoretical Approaches to Comics, edited by A., Magnussen and H.-C., Christiansen. Copenhagen: Museum Tusculanum Press.
Leroy, F., 2014. “Une tragédie de détails: l’architecture de l’infra-ordinaire dans les Building Stories de Chris Ware.” In La Mécanique du détail: approches transversales, edited by L., Belloï and M., Hagelstein. Lyon: ENS.
Manovich, L., 2001. The Language of New Media. Cambridge: MIT Press.
Martin, C., 2013. “Les Livres-Mondes De Chris Ware, Ou La Tentation De L’homogène.” Formules 17: 69–82.
Mittell, J., 2015. Complex TV. the Poetics of Contemporary Television. New York: New York University Press.
Parille, K., 2010. “A Retrospective Interview with Daniel Clowes.” In Daniel Clowes: Conversations, edited by K., Parille and I., Cates. Jackson: University Press of Mississippi.
Pizzino, C., 2016. Arresting Development: Comics at the Boundaries of Literature. Austin: University of Texas Press.
Randle, C., 2012. “Building a Memory.” Hazlitt, October 10. Web. Accessed 20 June 2016. http://www.randomhouse.ca/hazlitt/feature/building-memory.
Roeder, K., 2012. “Building Stories: Stories about Art and Buildings, and Growing Up.” The Comics Journal, October 10. Web. Accessed 20 June 2016. http://www.tcj.com/building-stories-stories-about-art-and-buildings-and-growing-up/.
Sattler, P. R., 2010. “Past Imperfect: ‘Building Stories’ and the Art of Memory.” In The Comics of Chris Ware. Drawing Is a Way of Thinking, edited by D. M., Ball and M. B., Kuhlman. Jackson: University Press of Mississippi.
Schneider, G., 2016. What Happens When Nothing Happens. Boredom and Everyday Life in Contemporary Comics. Leuven: Leuven University Press.
Smith, Z., 2008, ed. The Book of Other People. London: Penguin.
Stein, D., 2016. “‘Mummified Objects’: Superhero Comics in the Digital Age.” Journal of Graphic Novels and Comics 1–10. doi:10.1080/21504857.2016.1160417.
Tomine, A., 2011. Optic Nerve #12. Montreal: Drawn & Quarterly.
Wallen, J. R., 2015. “What Is An Unfinished Work?” New Literary History 46 (1): 125–142. doi:10.1353/nlh.2015.0000.
Ware, C., 1987. Floyd Farland. Citizen of the Future. Forestville: Eclipse.
Ware, C., 2000. Jimmy Corrigan. The Smartest Kid on Earth. New York: Pantheon.
Ware, C., 2012. Building Stories. New York: Pantheon.
Widiss, B., 2013. “Comics as Non-Sequential Art. Chris Ware’s Joseph Cornell.” In Drawing from Life. Memory and Subjectivity in Comic Art, edited by J., Tolmie. Jackson: University Press of Mississippi.
Woo, B., 2012. “Understanding Understandings of Comics. Reading and Collecting as Media-Oriented Practices.” Participations 9.2: 180–199.
Similar publications
Sorry the service is unavailable at the moment. Please try again later.
This website uses cookies to improve user experience. Read more
Save & Close
Accept all
Decline all
Show detailsHide details
Cookie declaration
About cookies
Strictly necessary
Performance
Strictly necessary cookies allow core website functionality such as user login and account management. The website cannot be used properly without strictly necessary cookies.
This cookie is used by Cookie-Script.com service to remember visitor cookie consent preferences. It is necessary for Cookie-Script.com cookie banner to work properly.
Performance cookies are used to see how visitors use the website, eg. analytics cookies. Those cookies cannot be used to directly identify a certain visitor.
Used to store the attribution information, the referrer initially used to visit the website
Cookies are small text files that are placed on your computer by websites that you visit. Websites use cookies to help users navigate efficiently and perform certain functions. Cookies that are required for the website to operate properly are allowed to be set without your permission. All other cookies need to be approved before they can be set in the browser.
You can change your consent to cookie usage at any time on our Privacy Policy page.