From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industry

Jedlowski, Alessandro

Request a copy

Contribution to collective works (Parts of books)

From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industry

Jedlowski, Alessandro

2013 • In Krings, Matthias (Ed.) Global Nollywood: Transnational Dimensions of an African Video Film Industry

Peer reviewed

Permalink
https://hdl.handle.net/2268/175611

Files (1)Send to Details Statistics Bibliography Similar publications

Files

Full Text

From Nollywood to Nollyworld - A.Jedlowski.pdf

Publisher postprint (11.86 MB)

Request a copy

All documents in ORBi are protected by a user license.

Send to

RIS BibTex APA Chicago Permalink X Linkedin

Details

Disciplines :

Anthropology

Author, co-author :

Jedlowski, Alessandro ; Université de Liège - ULiège > Institut des sciences humaines et sociales > Labo d'anthropologie sociale et culturelle (LASC)

Language :

English

Title :

From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industry

Publication date :

2013

Main work title :

Global Nollywood: Transnational Dimensions of an African Video Film Industry

Editor :

Krings, Matthias

Publisher :

Indiana University Press, Bloomington, United States

ISBN/EAN :

978-0-253-00935-7

Pages :

25-45

Peer reviewed :

Peer reviewed

Additional URL :

http://www.iupress.indiana.edu/product_info.php?products_id=806818

Available on ORBi :

since 30 December 2014

Statistics

Number of views

190 (2 by ULiège)

Number of downloads

1 (1 by ULiège)

More statistics

Scopus citations^®

Scopus citations^®
without self-citations

Bibliography

Abulu, Tony. Personal interview. Lagos, December 16, 2010.
Adejunmobi, Moradewum. “Nigerian Video Film as Minor Transnational Practice.” Postcolonial Text3.2 (2007): n. pag. Web.
Ajirire, Tosin. “How I Pioneered Video CD in Nigeria – Ken Hero.” National Concord, July 15, 2000, 17.
Ayorinde, Steve. “Nollywood Leaps to London’s Forefront.” Punch, September 28, 2007. Web.
Ayorinde, Steve. “Video and Celluloid … A Homeboy Shoots Up Abroad.” Guardian(Nigeria), January 28, 1999, 47.
Babatope, Moses Olumuyiwa. Personal interview. London, November 16, 2010.
Barber, Karin. “Popular Arts in Africa.” African Studies Review30.3 (1987): 1–78.
Cartelli, Philip. “Nollywood Comes to the Caribbean.” Film International5.4 (2007): 112–14.
Davis, Darrel William. “Compact Generation: VCD Markets in Asia.” Historical Journal of Film, Radio, and Television23.2 (2003): 165–76.
Ebere, Reginald. “The New Nollywood.” National Daily, March 12, 2011. Web.
Ekunno, Mike. “Nollywood and the New Cinema.” Next, January 2, 2011. Web.
Ezigbo, Onyebuchi. “Anti-cyber Crime Operators Threaten Movie Pirates.” All Africa, April 30, 2006. Web.
Guyer, Jane. Marginal Gains: Monetary Transactions in Atlantic Africa. Chicago: University of Chicago Press, 1997.
Haynes, Jonathan. “Africans Abroad: A Theme in Film and Video.” Africa e Mediterraneo45 (December 2003): 22–29.
Haynes, Jonathan. “Nigerian Cinema: Structural Adjustment.” Research in African Literatures26.3 (1995): 97–119.
Husseini, Shaibu. “Nollywood 2008: Stuck in the Middle of Nowhere.” Guardian(Nigeria), January 23, 2009, 24–25.
Igwe, Amaka. Personal interview. Lagos, January 25, 2010.
Imasuen, Lancelot Oduwa. Personal interview. Lagos, February 12, 2010.
Isong, Emem. Personal interview. Lagos, January 10, 2011.
Jedlowski, Alessandro. “Beyond the Video Boom: New Tendencies in the Nigerian Video Industry.” Paper presented at ASAUK Writing Workshop, Birmingham (UK), April 16, 2010.
Jora, Fred. “The Big Rip-off: How Nollywood Films Are Shown on Net Free of Charge … Europe Based Stakeholders Cry Foul.” Vanguard, October 27, 2007, 20.
Kaur, Raminder, and Ajay J. Sinha, eds. Bollyworld: Popular Indian Cinema through a Transnational Lens. New Delhi: Sage, 2005.
Larkin, Brian. “Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy.” Public Culture16.2 (2004): 289–314.
Lee, Patrick. Personal interview. Lagos, February 17, 2011.
Njoku, Benjamin. “Nollywood Is Dying: Interview with Francis Onwochei.” Vanguard, February 21, 2009, 36.
Njoku, Benjamin. “We Are Not Responsible for Nollywood’s Woes – Interview with Biola Alabi, M-Net MD.” Vanguard, August 15, 2009, 26.
Odugbemi, Femi. Personal interview. Lagos, January 25, 2010.
Oni, Duro. “Lighting: Beyond Illumination.” Inaugural Lecture Series, 2010. Lagos: Lagos University Press, 2010.
Smith, Michael P., and Luis E. Guarnizo. “The Locations of Transnationalism.” Transnationalism from Below. Ed. Michael P. Smith and Luis E. Guarnizo. New Brunswick, N.J.: Transaction, 1998. 3–34.
Sundaram, Ravi. “Recycling Modernity: Pirate Electronic Cultures in India.” Third Text13.47 (1999): 59–65.
UNESCO Institute for Statistics. Analysis of the UIS International Survey on Feature Film Statistics. Montreal: UIS, April 2009. 1–15. Web.
The Amazing Grace. Dir. Jeta Amata. Jeta Amata Concepts and Amazing Grace Films (Nigeria and UK). 2006.
Anchor Baby. Dir. Lonzo Nnzekue. Alpha Galore Films (Canada and Nigeria). 2010.
Back to Africa. Dir. Tunde Alabi. Bonag and Tony Abulu Film (Nigeria). 1997.
Black Gold. Dir. Jeta Amata. Jeta Amata Concepts et al. (Nigeria). 2011.
Bursting Out. Dir. Daniel Ademinokan and Desmond Elliot. Emem Isong Production (Nigeria). 2010.
The Figurine. Dir. Kunle Afolayan. Golden Effects (Nigeria). 2010.
High Blood Pressure. Dir. Teco Benson. Goodlife Production (Nigeria). 2010.
Home in Exile. Dir. Lancelot Oduwa Imasuen. Iceslides Films and Lancewealth Images (Nigeria). 2010.
Ije, the Journey. Dir. Chineze Anyeane. Xandria Productions (United States and Nigeria). 2010.
Irapada. Dir. Kunle Afolayan. Golden Effects (Nigeria). 2007.
Mirror Boy. Dir. Obi Emelonye. Nollywood Film Factory and OH Films (UK). 2011.
Nick Goes to Nollywood. Dir. Alicia Arce and Brenda Goldblatt. BBC (UK). 2004.
Pirates of the Caribbean: Dead Man’s Chest. Dir. Gore Verbinski. Walt Disney Pictures (United States). 2006.
Silent Scandal. Dir. Tokunbo Falope. Vivian Ejike Production (Nigeria). 2009.
Tango with Me. Dir. Mamood Ali-Balogun. Brickwall Communication (Nigeria). 2011.
The Tenant. Dir. Onyekachi Ejim. Broken Manacles Entertainment (Canada). 2008.
Through the Glass. Dir. Stephanie Okereke. Next Page Production (United States and Nigeria). 2007.