  | Jedlowski, A. (2020). Media studies, globalization, and African realities. In S. Chiumbu & M. Iqani (Eds.), Media Studies: Critical African and Decolonial Approaches. Oxford University Press.  Peer reviewed |
 | Jedlowski, A., Olaoluwa, S., & Paasche, E. (2020). TK at 70: An interview with Túndé Kèlání. Journal of African Cultural Studies, 32 (4), 429-441. doi:10.1080/13696815.2019.1700782 Peer Reviewed verified by ORBi |
 | Jedlowski, A. (2019). Anthropological approaches to media in Africa. In R. Grinker (Ed.), A Companion to the Anthropology of Africa (pp. 351-374). Blackwell-Wiley. Peer reviewed |
 | Jedlowski, A. (2019). Toward new African languages of protest: African documentary films and human rights. In M. Hjort, African Cinema and Human Rights (pp. 70-88). Indiana University Press. Peer reviewed |
 | Jedlowski, A. (2019). Latin American telenovelas and African screen media: from reception to production. Journal of African Cultural Studies, 32 (2). doi:10.1080/13696815.2018.1549829 Peer Reviewed verified by ORBi |
Rubbers, B., & Jedlowski, A. (Eds.). (2019). Regimes of Responsibility in Africa: Genealogies, Rationalities, and Conflicts. Oxford, United Kingdom: Berghahn. |
 | Jedlowski, A. (2018). African videoscapes: Southern Nigeria, Ethiopia and Côte d’Ivoire in comparative perspective. In K. Harrow, Companion to African Cinema (pp. 293-314). Blackwell-Wiley. Peer reviewed |
Jedlowski, A. (2018). Cinéma et relations sud-sud: Les interactions entre Nollywood et Bollywood [Paper presentation]. Nouvelles territorialités entre l'Asie et l'Afrique, EHESS, Paris, France. |
  | Jedlowski, A. (2018). La révolution vidéo en Afrique subsaharienne. Nigéria, Ethiopie et Côte d'Ivoire. Sociétés politiques comparées, 43, 1-20. Peer reviewed |
 | Jedlowski, A. (January 2018). Post-imperial affinities and neoliberal convergences: Discourses and practices of collaboration between the Nigerian and the Indian film industries. Media, Culture and Society, 40 (1), 23-40. doi:10.1177/0163443717703794 Peer Reviewed verified by ORBi |
Jedlowski, A. (2018). Moral publics: Human trafficking, video films and the responsibility of the postcolonial subject [Paper presentation]. ASAUK 2018, Birmingham, United Kingdom. |
Jedlowski, A., Thomas, M. W., & Ashagrie, A. (Eds.). (2018). Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. United States: Michigan State University Press. |
 | Jedlowski, A. (2018). Ethiopian cinema and the politics of migration, at home and abroad. In M. Thomas, Cine-Ethiopia: The History and Politics of Film in the Horn of Africa (pp. 161-180). Michigan State University Press. Peer reviewed |
 | Jedlowski, A. (2018). Introduction. In M. Thomas, Cine-Ethiopia: The History and Politics of Film in the Horn of Africa. Michigan State University Press. doi:10.14321/j.ctv1fxmf1.3 Peer reviewed |
Jedlowski, A. (2018). The afterlife of Kung Fu films in Abidjan [Paper presentation]. Karin Barber Lab, Birmingham, United Kingdom. |
 | Jedlowski, A. (2018). Moral Publics: Human trafficking, video films, and the responsibility of the postcolonial subject. Visual Anthropology, 31, 236-252. doi:10.1080/08949468.2018.1445369 Peer Reviewed verified by ORBi |
 | Jedlowski, A. (01 September 2017). African media and the corporate takeover: Video film circulation in the age of neoliberal transformations. African Affairs, 116 (465), 671-691. doi:10.1093/afraf/adx017 Peer Reviewed verified by ORBi |
 | Jedlowski, A., & Thomas, M. W. (2017). Representing ‘otherness’ in African popular media: Chinese characters in Ethiopian video films. Journal of African Cultural Studies, 29 (1), 63-80. doi:10.1080/13696815.2016.1241704 Peer Reviewed verified by ORBi |
 | Röschenthaler, U., & Jedlowski, A. (Eds.). (2017). Mobility between Africa, Asia and Latin America: Economic Networks and Cultural Interactions. London, United Kingdom: Zed Books. |
Jedlowski, A. (2017). Le cinéma ethiopién : Des premiers films aux développements récents [Paper presentation]. Les Internationalismes au miroir des littératures et des cinémas (Asie, Afrique et Amérique latine), EHESS, Paris, France. |
Jedlowski, A. (2017). Human trafficking and prostitution in Nollywood [Paper presentation]. Crime goes to the movies: The case of Nollywood, University of Oslo, Olso, Norway. |
 | Jedlowski, A., & Röschenthaler, U. (2017). China–Africa media interactions: media and popular culture between business and state intervention. Journal of African Cultural Studies, 29 (1), 1-10. doi:10.1080/13696815.2016.1268953 Peer Reviewed verified by ORBi |
 | Jedlowski, A. (2017). Les transformations de la circulation de films vidéos nigérians en Côte d’Ivoire : Du commerce informel aux grandes sociétés internationales. In P. Caille, Regarder des films en Afrique (pp. 259-274). Presses Universitaires du Septentrion. Peer reviewed |
Jedlowski, A. (2017). StarTimes au Nigéria : Aspects politiques et économiques de la pénétration d’une compagnie chinoise dans la production et la distribution des vidéos nigérianes [Paper presentation]. International conference: “Produire en/avec l’Afrique et le Moyen Orient", University of Strasbourg, Strasbourg, France. |
Jedlowski, A. (2017). Showcasing Lagos: New Nollywood’s reinvention of the African metropolis [Paper presentation]. LAGOS: From the Pepperfarm to the Megacity (and Beyond): An Interdisciplinary Conference on Space, Society, and the Imagination of an African Crossroads, University of Lagos, Lagos, Nigeria. |
Jedlowski, A. (2017). L’économie de l’occulte dans les films nigérians [Paper presentation]. Faits religieux, faits économiques, Graduate Institute, Geneva, Switzerland. |
Jedlowski, A. (2017). Post-imperial affinities: Interactions between the Nigerian and the Indian film industries [Paper presentation]. India-Africa, a new soft power?, EHESS, Paris, France. |
| Jedlowski, A. (2017). Nollywood e l'esplosione della produzione video «made in Nigeria». Economia della Cultura: Rivista Trimestrale dell' Associazione per l'Economia della Cultura, (4/2017), 527-540. Peer reviewed |
 | Jedlowski, A. (2016). Nollywood. L'industria video nigeriana e le sue diramazioni transnazionali. Napoli, Italy: Liguori. |
 | Jedlowski, A. (2016). Regulating mobility, reshaping accessibility: Nollywood and the piracy scapegoat. In M. Diawara & U. Röschenthaler (Ed.), Copyright Africa: How Intellectual Properties, Media and Markets Transform Immaterial Cultural Goods (pp. 292-310). Oxford, United Kingdom: Sean Kingston. Peer reviewed |
Jedlowski, A. (2016). Post-imperial affinities and film production: Discourses and practices of collaboration between the Nigerian and the Indian film industries [Paper presentation]. New directions in Nollywood and Nigerian cinema, Columbia University, New York, United States. |
Jedlowski, A. (2016). Savoirs "traditionnels" et normes locales de la propriété intellectuelle : le cas de Nollywood [Paper presentation]. 9° REASOPO workshop: « La propriété intellectuelle : nouvelles formes, nouveaux enjeux, Reaseau d'Analyse des Societés Politiques (REASOPO), Paris, France. |
Jedlowski, A. (2016). The moral public: Performativity, audiences, and the politics of direct address in Nigerian video films [Paper presentation]. Annual symposium of the Society of Cinema and Media Studies (SCMS), Atlanta, United States. |
Jedlowski, A. (2016). La construction pentecôtiste du monde dans les vidéos nigérianes sur la migration [Paper presentation]. Corps, mémoires, liens : Comment les migrants fabriquent leur présent ?, Maison Méditerranéenne des Sciences de l’Homme, Aix-en-Provence, France. |
Jedlowski, A. (2016). Street gang culture and the afterlife of kung fu films in Abidjan [Paper presentation]. 4th binannual international conference of the Italian Association of African Studies (ASAI), Italy. |
Jedlowski, A. (2016). Cultural entrepreneurship in Nollywood [Paper presentation]. Exploring the Creative Economy in Africa, King's College, London, United Kingdom. |
 | Jedlowski, A. (2016). Migration, prostitution and the representation of the black female subject in Nigerian video films about Italy. Journal of Italian Cinema and Media Studies, 4 (1), 9-23. doi:10.1386/jicms.4.1.9_1 Peer Reviewed verified by ORBi |
 | Jedlowski, A. (2016). All for a container! Return migration, transport technologies, and love affairs. Transfers: Interdisciplinary Journal of Mobility Studies, 6 (2), 94-111. doi:10.3167/TRANS.2016.060207 Peer Reviewed verified by ORBi |
Jedlowski, A. (2016). Small media distribution and capital flows: Shifting biographies of Nigerian video films’ circulation in French-speaking Africa [Paper presentation]. First winter school of the "Chaire Afrique", Ecole de Gouvernance et Economie, University Mohammad VI, Rabat, Morocco. |
Jedlowski, A. (2016). The cinema of the ‘modern warriors’: Kung fu films and the politics of street gang culture in Abidjan [Paper presentation]. International conference: "Représentations du cinéma et pratiques spectatorielles en Afrique francophone", Marrakech, Morocco. |
 | Jedlowski, A. (2016). Studying media ‘from’ the South: African screen media and global perspectives. Black Camera, 7 (2), 174-193. Peer Reviewed verified by ORBi |
 | Jedlowski, A. (Ed.). (2015). Lagos calling: Nollywood e la reinvenzione del cinema in Africa. Rome, Italy: Aracne. |
 | Jedlowski, A. (2015). The women behind the camera: Female entrepreneurship in the southern Nigerian video film industry. In U. Röschenthaler (Ed.), Cultural Entrepreneurship in Africa (pp. 245-263). New York, United States: Routledge. Peer reviewed |
 | Jedlowski, A. (2015). Nigerian migrants, Nollywood videos and the emergence of an ‘anti-humanitarian’ representation of migration in Italian cinema. In E. Bond (Ed.), Destination Italy: Representing Migration in Contemporary Media and Narrative (pp. 397-414). Oxford, United Kingdom: Peter Lang. doi:10.3726/978-3-0353-0657-6 Peer reviewed |
Jedlowski, A. (2015). Ethiopian cinema and the politics of migration: The work of Tewodros Teshome and Dagmawi Yimer [Paper presentation]. 19° international conference of the Association of Ethiopian Studies, University of Warsaw, Poland. |
| Jedlowski, A. (2015). Avenues of participation and strategies of control: Video film production and social mobility in Ethiopia and southern Nigeria. In M. Banks (Ed.), Production Studies II, The Sequel (pp. 175-186). New York, United States: Routledge. Peer reviewed |
Jedlowski, A. (2015). The Bollywood connection: Transnational collaborations and the impact of the ‘Indian model’ on the southern Nigerian video film industry [Paper presentation]. International conference: “Africa-Asia: A new axis of knowledge”, University of Accra, Accra, Ghana. |
Jedlowski, A. (2015). Au tribunal de la morale : la ‘mise en scène’ de la responsabilité dans les films nigérians sur la migration [Paper presentation]. Régimes de responsabilité en Afrique: Généalogies, rationalités et conflits, University of Liege, Liege, Belgium. |
Jedlowski, A. (2015). Between soft power and strategic opportunism: collaborations between the Indian and the Nigerian film industries [Paper presentation]. Beyond the ‘North-South’: New territorialities between Africa and Asia, EHESS, Paris, France. |
 | Jedlowski, A. (2015). Marketing in Nollywood. In N. Mingant (Ed.), Film Marketing Into the Twenty-First Century (pp. 76-79). London, United Kingdom: British Film Institute/Palgrave McMillan. Peer reviewed |
 | Jedlowski, A. (2015). Screening Ethiopia: A preliminary study of the history and contemporary developments of film production in Ethiopia. Journal of African Cinemas, 7 (2), 169-185. Peer Reviewed verified by ORBi |
 | Jedlowski, A. (2015). Editorial: Across media: Mobility and transformation of cultural materials in the digital age. Journal of African Media Studies, 7 (1), 3-9. Peer Reviewed verified by ORBi |
Jedlowski, A. (2015). Changing biographies of video films’ circulation in Francophone Africa: From ‘informal’ distribution to corporate business [Paper presentation]. International symposium of the Society of Cinema and Media Studies (SCMS), Montreal, Canada. |
Jedlowski, A. (2014). Multi-sited ethnography, comparative research and fieldwork methodologies in the analysis of sub-Saharan African media production [Paper presentation]. Research methodologies on visual cultures, Catholic University of Leuven, Belgium. |
Jedlowski, A. (2014). Between parody and social criticism: Interpreting representations of Chinese characters in Ethiopian video films [Paper presentation]. International conference of the research network "Chinese in Africa/Africans in China", University of Jinan, China. |
Jedlowski, A. (2014). The circulation of Nigerian videos in francophone Africa: The Lagos-Abidjan connection [Paper presentation]. International conference: “Film Distribution in Nigeria", Pan-Atlantic University of Lagos, Nigeria. |
Jedlowski, A. (2014). The tycoon and the outsider: Media entrepreneurship and the politics of film production in Ethiopia [Paper presentation]. International conference of the African Studies Association of the United Kingdom (ASAUK), University of Sussex, Brighton, United Kingdom. |
 | Jedlowski, A. (2013). Exporting Nollywood: Nigerian video filmmaking in Europe. In P. Szczepanik (Ed.), Behind the Screen: European Contributions to Production Studies (pp. 171-186). New York, United States: Palgrave McMillan. Peer reviewed |
Jedlowski, A. (2013). Nigerian videos in the global arena: The postcolonial exotic revisited [Paper presentation]. European Conference on African Studies (ECAS), University of Lisbon, Portugal. |
 | Jedlowski, A. (2013). Nigerian videos in the global arena: The postcolonial exotic revisited. Global South, 7 (1), 157-178. Peer Reviewed verified by ORBi |
Jedlowski, A. (2013). Nigerian video filmmaking in Italy: Media activism and commercial strategies [Paper presentation]. Destination Italy: Representing Migration in Contemporary Media and Narrative, University of Oxford, United Kingdom. |
Jedlowski, A. (2013). The moral politics of direct address in Nigerian videos [Paper presentation]. International conference of the European Network for Cinema and Media Studies (NECS), University of Prague, Czechia. |
 | Jedlowski, A. (2013). Oltre la migrazione: Alla ricerca di un cinema popolare afroitaliano. In L. De Franceschi (Ed.), L’Africa in Italia. Per una controstoria postcoloniale del cinema italiano (pp. 207-220). Rome, Italy: Aracne. Peer reviewed |
Jedlowski, A. (2013). All for a container! Technological mediations, transnational business, and love affairs [Paper presentation]. Technology and mobility in Africa: Exploring a new analytical field, Catholic University of Leuven, Leuven, Belgium. |
 | Jedlowski, A. (2013). From Nollywood to Nollyworld: Processes of transnationalization in the Nigerian video film industry. In M. Krings (Ed.), Global Nollywood: Transnational Dimensions of an African Video Film Industry (pp. 25-45). Bloomington, United States: Indiana University Press. Peer reviewed |
Jedlowski, A. (2013). Nigerian migrants, Nollywood videos and the emergence of an ‘anti-humanitarian’ representation of migration in Italian cinema [Paper presentation]. International conference: “Crossroads: Europe, Migration and Culture”, University of Copenaghen, Denmark. |
Jedlowski, A. (2013). The challenges of digital film production in sub-Saharan Africa: A comparative perspective [Paper presentation]. Film production and distribution in Ethiopia, Rift Valley University, Addis Ababa, Ethiopia. |
 | Jedlowski, A. (2012). Videos in motion: Processes of Transnationalization in the Southern Nigerian Video Industry: Networks, Discourses, Aesthetics [Doctoral thesis, Università di Napoli "L'Orientale]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/177490 |
 | Jedlowski, A. (2012). Small screen cinema: Informality and remediation in Nollywood. Television and New Media, 13 (5), 431-446. doi:10.1177/1527476412443089 Peer Reviewed verified by ORBi |
Jedlowski, A. (2012). Hegemonies and complementarities: The Ghanaian and southern Nigerian video industries in comparative perspective [Paper presentation]. Annual international conference of the Association for Cultural Studies (ACS), Paris, France. |
Jedlowski, A. (2012). Small screen cinema: Informality and remediation in Nollywood [Paper presentation]. International conference of the European Network for Cinema and Media Studies (NECS), University of Lisbon, Portugal. |
 | Jedlowski, A. (2012). On the periphery of Nollywood: Nigerian video filmmaking in Italy and the emergence of intercultural aesthetics. In C. Lombardi-Diop (Ed.), Postcolonial Italy: Challenging National Homogeneity (pp. 239-252). New York, United States: Palgrave McMillan. Peer reviewed |
 | Jedlowski, A. (2011). When the Nigerian video film industry became “Nollywood”: Naming, branding and the videos’ transnational mobility. Estudos Afro-Asiaticos, 33 (1-2-3), 225-251. Peer reviewed |
Jedlowski, A. (2011). From Nollywood to Nollyworld: The cosmopolitan aura of the new Nigerian cinema [Paper presentation]. European Conference on African Studies (ECAS), Uppsala, Sweden. |
Jedlowski, A. (2011). Pirated transnationalism in the Nigerian video industry: Successes and limits of informal distribution strategies [Paper presentation]. Piracy and informal media economies, Swinburne Institute of Technology, Melbourne, Australia. |
 | Jedlowski, A. (2011). Una nuova voce nel cinema italiano? L’emergenza di forme di cinema migrante in Italia. In V. Lanari (Ed.), Camera Africa: Classici, noir, Nollywood e la nuova generazione del cinema delle Afriche (pp. 69 – 76). Verona, Italy: Cierre Edizioni. Peer reviewed |
Jedlowski, A. (2011). On the periphery of Nollywood: Nigerian video filmmaking in Italy and the emerging of intercultural aesthetics [Paper presentation]. Lights! Tystnad! Azione! Practices, sites and careers in European film production, University of Stockholm, Sweden. |
 | Jedlowski, A. (2010). Beyond the Video Boom: New Tendencies in the Nigerian Video Industry. |
Jedlowski, A. (2010). Nollywood abroad: The Nigerian video industry and the role of the diaspora [Paper presentation]. International workshop: “Thinking Africa Today”, Procida, Naples, Italy. |
Jedlowski, A. (2010). Pirated Transnationalism: Piracy, Nigerian videos and the creation of a Pan-African popular culture [Paper presentation]. AEGIS (European network of African Studies) summer school, Cortona, Italy. |
Jedlowski, A. (2010). Nollywood in and out of Italy: Interpreting the production of popular media in the diaspora [Paper presentation]. Media interpretation workshop, University of Birmingham, United Kingdom. |
Jedlowski, A. (2010). Al di là del video boom: Nuove tendenze dell’industria video nigeriana fra transnazionalismo e pirateria [Paper presentation]. 1st biannual international conference of the Italian Association of African Studies (ASAI), University of Naples L'Orientale, Italy. |
Jedlowski, A. (2010). Nollywood vs Lagos: The reciprocal influences between the Nigerian megacity and the video industry [Paper presentation]. International conference of the European Network for Cinema and Media Studies (NECS), Istanbul, Turkey. |
Jedlowski, A. (2010). New tendencies in the Nigerian film industry: Nollywood, global cinema and the impact of the diaspora [Paper presentation]. International conference AVANCA/CINEMA 2010, Avanca, Portugal. |
Jedlowski, A. (2010). Creating normative orders locally: Informal distribution, pirated transnationalism and copyright legislation in the Nigerian video industry [Paper presentation]. Intellectual property, Normative Orders and Globalization, Goethe University of Frankfurt, Germany. |
Jedlowski, A. (2010). Nollywood all’italiana: La nascita di un’estetica interculturale fra media-attivismo e strategia commerciale [Paper presentation]. Antropologia e società civile: I movimenti sociali nell’Italia contemporanea, University of Milan "Bicocca", Milan, Italy. |
Jedlowski, A. (2009). Alla periferia di Nollywood. L'esperienza della migrazione nei video nigeriani prodotti in Italia [Paper presentation]. Coercizione e soggettivazione, University of Turin, Italy. |
Jedlowski, A. (2009). Re-imagining space from a situated position: A critique of ‘lusophone space’ [Paper presentation]. European Conference on African Studies (ECAS), University of Leipzig, Germany. |
 | Jedlowski, A. (2009). Suole di vento. Jean Rouch fra antropologia e cinema. Achab : Rivista di Antropologia, XIV, 29-35. Peer reviewed |
Jedlowski, A. (2009). La rappresentazione della violenza nel Nollywood nigeriano [Paper presentation]. Economie morali della violenza, Italian Institute of Philosophical Studies, Naples, Italy. |
 | Jedlowski, A. (2008). Constructing artworks. Issues of authorship and articulation around Seydou Keïta’s Photographs. Nordic Journal of African Studies, 17 (1), 34-46. Peer Reviewed verified by ORBi |
 | Jedlowski, A. (2007). Teatro, violenza e resistenza in Congo Brazzaville. Il percorso di Dieudonné Niangouna. Turin, Italy: L'Harmattan Italia. |