[en] This article attempts a stylistic analysis of Purple Hibiscus (2003), the first novel by Nigerian writer Chimamanda Ngozi Adichie. Using Roger Fowler's concept of "mind-style" and Halliday and Matthiessen's functional grammar, the essay examines the language of the book's first-person narrator, a fifteen-year-old girl whose father is a violent Catholic extremist. It is argued that the unveiling of linguistic patterns in her account leads to a deeper understanding of the concepts of freedom and tyranny in the novel. Thus, while the narrator's deceptively simple style initially conceals her prejudices, it gradually grows into a more straightforward type of language as the character liberates herself from her father's authoritarian grip.
Research Center/Unit :
CEREP - Centre d'Enseignement et de Recherche en Études Postcoloniales - ULiège
Disciplines :
Literature
Author, co-author :
Tunca, Daria ; Université de Liège - ULiège > Département des langues et littératures modernes > Langue et linguistique anglaises modernes - Département des langues et littératures modernes
Language :
English
Title :
An Ambiguous "Freedom Song": Mind-Style in Chimamanda Ngozi Adichie's Purple Hibiscus
Publication date :
2009
Journal title :
Postcolonial Text
ISSN :
1705-9100
Publisher :
Kwantlen University College. Department of English, Surrey, Canada