Recherches sur la typologie des corrections et le stade de composition de la Ptôcheia d'Ulysse à Troie dans le P.Köln VI 245

This article aims at analysing an autograph from the 3rd century AD, PKöln VI 245, exploiting the passages of the Greek poem which have been deleted and/or reworked by the author. This helps to better understand his work method and to place the draft in the long process of literary composition. A personal edition of each passage is presented with a simplified apparatus and a French translation.