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"Quelqu’un a-t-il déjà entendu soupirer des pierres?" (W. Herzog). Du corps à la ruine (et retour)
Hamers, Jérémy; Jousten, Lison
2021Poetics, Politics and the Ruin in cinema and theatre after 1945/Poétique et politique de la ruine au cinéma et au théâtre depuis 1945
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Keywords :
Nouveau Cinéma Allemand; Herakles; Leçons de Ténèbres/Lessons of darkness
Abstract :
[en] The work of Werner Herzog has been marked from the outset by two great obsessions: the body and the ruin, both of which will permanently reappear throughout his work, whether cinematographic or literary. In Herzog's work the ruins are less the result of the passing of time or the trace of a frozen past, than the complex expression of a specific link between mankind and its environment. Either the result of a Western modernity that has destroyed an authentic landscape, or the product of a nature that has regained its rights over the Western man who tried to invade it, ruins in Herzog films are often commented as signs of the director’s seemingly contradictory tendency: on the one hand, a critique of Western and colonizing modernity; on the other hand, a romantic aestheticization of death and of the fight against a hostile or indifferent nature, which has led some commentators to accuse the director of reviving a fascist aesthetic. Herzog's first film Herakles (1962) has been mostly considered as a marginal production. However, taking up Emmanuel Burdeau’s assumption that Herzog’s first short film is actually the programmatic matrix of his entire work (Burdeau, 2017), we will first show that Herakles poses two fundamental elements in Herzog's work: on the one hand, ruinification as a circular process; on the other hand, the ruinification of the body. In the second part of our paper, Lessons of Darkness (1992), one of Herzog's films that is almost entirely composed of ruins and that seems to expose itself most radically to the reproach of an aestheticization of death and destruction, will enable us to show that the process of ruinification of the bodies which could appear, a priori, as a secondary element of the film, is the driving force of his representation of reality.
Research center :
Traverses - ULiège
Disciplines :
Performing arts
Author, co-author :
Hamers, Jérémy ;  Université de Liège - ULiège > Département médias, culture et communication > Cinéma documentaire et littératie médiatique
Jousten, Lison ;  Université de Liège - ULiège > Département médias, culture et communication > Département médias, culture et communication
Language :
French
Title :
"Quelqu’un a-t-il déjà entendu soupirer des pierres?" (W. Herzog). Du corps à la ruine (et retour)
Alternative titles :
[en] “Has anyone ever heard stones sigh?” (W. Herzog) From the body to the ruin (and back)
Publication date :
22 November 2021
Event name :
Poetics, Politics and the Ruin in cinema and theatre after 1945/Poétique et politique de la ruine au cinéma et au théâtre depuis 1945
Event organizer :
University of Oxford
Université Paris Nanterre
Event date :
2 avril et 22 novembre 2021
Audience :
International
Peer reviewed :
Peer reviewed
Available on ORBi :
since 24 November 2021

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