Diagram; Peirce; Composite Photography; Painting; Form; Force.; Diagramme, Peirce, Photographie composite, Théorie de la peinture, Forme, Force
Abstract :
[en] This paper focuses on the notion of the diagram and, more precisely, on diagrammatic images, whether they are produced in the sciences or in the arts. I will examine Charles Sanders Peirce, Gilles Deleuze and Nelson Goodman perspectives of the notion of diagram, in order to identify the constitutive characteristics of this notion. Among these constitutive features, my objective is to describe the gesture, in its different declinations: the gesture of reasoning and that
of artistic production.
Research Center/Unit :
Traverses - ULiège
Disciplines :
Languages & linguistics Art & art history
Author, co-author :
Dondero, Maria Giulia ; Université de Liège - ULiège > Département de langues et littératures romanes > Sciences du langage - Rhétorique
Language :
French
Title :
Geste de la pensée, gestualité picturale : le diagramme chez Peirce, Deleuze et Goodman
Alternative titles :
[en] The Gesture of Thought and Pictorial Gesturality: The Diagram in Peirce, Deleuze, and Goodman
Publication date :
15 November 2021
Journal title :
Metodo : International Studies in Phenomenology and Philosophy
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