perception et sensibilité nouvelles; unité des contenus latent et manifeste; poétisation du quotidien; rupture avec le classisme et les normes bourgeoises; art total mêlant existence, amour et poésie; drame visuel; rejet; new sensibility; dreams; latent and manifest contents; surrealist notion of the marvelous; reticence before technique and industry; talking cinema and narrativity; cinema as a pure visual force
Abstract :
[en] The article deals with the surrealists' enthusiasm for cinema and their successive disavowal.
1) The first part describes the natural affinity between Breton's project and the seventh art: assimilation of images to dream processes, ability to make unconscious or marvellous content exist, poetic force of everyday life leading to the paths of total art. 2) The second part mentions the mistrust of the Surrealists as well as their refusal of narrative evolutions. 3) The conclusion reaffirms, beyond any failure, the exceptional intuition of the nature of cinema by the Surrealists as well as their possible proximity with the theoretical contributions of Gilles Deleuze, undoubtedly the most considerable that have been offered in the French philosophical field.
Research Center/Unit :
Faculté de philologie de l'Université d'Etat de Biélorussie, Minsk.
L'ouvrage collectif dans lequel s'inscrit cette contribution en français n'est pas traduit lui-même en langue française. Le titre proposé en français ne relève que d'une traduction personnelle.
