New Media; Film Studies; Digital Media; Cinema; Enonciation; Nouveaux Médias; cinéma; numérique; énonciation; sémiotique
Abstract :
[en] This contribution aims to describe the experience of audiovisual signification through a new reading of the theory of enunciation, by putting into dialogue semiotic and neurofilmology theories. The contribution is divided into three parts: i) a new reading of the theory of enunciation which emphasises the perceptual dimension; ii) the proposal of a formal description of the audiovisual experience in line with the structural assumptions of the discipline; iii) the elaboration of the enunciational concept of technical format of images, which can account for the continuity between the signification mechanisms that regulate audiovisual editing and those of an intermedial editing.
Disciplines :
Communication & mass media Languages & linguistics Arts & humanities: Multidisciplinary, general & others Performing arts
Author, co-author :
D'Armenio, Enzo ; Université de Liège - ULiège > Département de langues et littératures romanes > Sciences du langage - Rhétorique
Language :
English
Title :
From audiovisual to intermedial editing. Film experience and enunciation put to the test of technical formats
Publication date :
2017
Journal title :
Versus
ISSN :
0393-8255
Publisher :
Il Mulino, Bologna, Italy
Special issue title :
Sensorial Effectiveness. Sensoriality, immediacy, and presence in audiovisual media