Article (Scientific journals)
Le portrait photographique : des « trivialités du visage » à la « ressemblance intime »
Wicky, Erika
2017In Romantisme, 176 (2), p. 36-46
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Abstract :
[en] The considerable success of the photographic portrait, whose first industrial developments came in the 1850s, led to debates articulated among other things by the faculty of unfalteringly catching their subject's likeness, a faculty people attributed photographs with. The new medium thus led a great many art critics to rethink, reconsider and redefine the notion of resemblance in the portrait. The writing on art and photography of this period, grounded in comparisons with painting and caricature, tried to define criteria and degrees for resemblance as well their articulation with the criteria of aesthetic judgements. It thus contributed to putting in question the links between art and representation. © 2017 Armand Colin. All rights reserved.
Disciplines :
Communication & mass media
Author, co-author :
Wicky, Erika ;  Université de Liège - ULiège > Département médias, culture et communication > Histoire et théories des arts audiovisuels
Language :
French
Title :
Le portrait photographique : des « trivialités du visage » à la « ressemblance intime »
Alternative titles :
[en] The photographic portrait: From "trivialities of the face" to "intimate resemblance"
Publication date :
2017
Journal title :
Romantisme
ISSN :
0048-8593
eISSN :
1957-7958
Publisher :
Armand Colin
Volume :
176
Issue :
2
Pages :
36-46
Peer reviewed :
Peer Reviewed verified by ORBi
Available on ORBi :
since 30 May 2020

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