Reference : Pourquoi la transmédialité ?
Parts of books : Contribution to collective works
Arts & humanities : Multidisciplinary, general & others
http://hdl.handle.net/2268/233682
Pourquoi la transmédialité ?
French
Badir, Sémir mailto [Université de Liège - ULiège > Département de langues et littératures romanes > Sciences du langage - Rhétorique >]
2019
Transmédialité, Bande dessinée & Adaptation
Deprêtre, Évelyne
Duarte, German A.
Presses Universitaires Blaise Pascal
Graphèmes
22-35
Yes
978-2-84516-827-5
Clermont-Ferrand
France
[en] Transmediality ; Cycle ; Appropriation ; Theme ; Genre
[en] This paper examines the concept of transmediality and the reasons, both theoretical and ideological, that legitimize its use in the context of contemporary cultural practices. A preliminary enquiry into the terminological composition of this concept observes the prevalence of media on art and language, while the prefix trans is distinguished from inter. The success of transmediality is based on three main reasons: the advent of the digital in social life, the patrimonialization of the popular arts and the resurgence of teleological discourses. It follows that transmediality allows us to explain, maybe in a too enthusiastic way, contemporary forms of adaptation and narrative extension linked to fictional cycles, genres and narrative themes.
http://hdl.handle.net/2268/233682

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