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Pourquoi la transmédialité ?
Badir, Sémir
2019In Deprêtre, Évelyne; Duarte, German A. (Eds.) Transmédialité, Bande dessinée & Adaptation
Peer reviewed
 

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Keywords :
Transmediality; Cycle; Appropriation; Theme; Genre
Abstract :
[en] This paper examines the concept of transmediality and the reasons, both theoretical and ideological, that legitimize its use in the context of contemporary cultural practices. A preliminary enquiry into the terminological composition of this concept observes the prevalence of media on art and language, while the prefix trans is distinguished from inter. The success of transmediality is based on three main reasons: the advent of the digital in social life, the patrimonialization of the popular arts and the resurgence of teleological discourses. It follows that transmediality allows us to explain, maybe in a too enthusiastic way, contemporary forms of adaptation and narrative extension linked to fictional cycles, genres and narrative themes.
Research center :
Traverses - ULiège
Sémiotique & Rhétorique
Disciplines :
Arts & humanities: Multidisciplinary, general & others
Author, co-author :
Badir, Sémir  ;  Université de Liège - ULiège > Département de langues et littératures romanes > Sciences du langage - Rhétorique
Language :
French
Title :
Pourquoi la transmédialité ?
Publication date :
2019
Main work title :
Transmédialité, Bande dessinée & Adaptation
Editor :
Deprêtre, Évelyne
Duarte, German A.
Publisher :
Presses Universitaires Blaise Pascal, Clermont-Ferrand, France
ISBN/EAN :
978-2-84516-827-5
Collection name :
Graphèmes
Pages :
22-35
Peer reviewed :
Peer reviewed
Available on ORBi :
since 14 March 2019

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