Abstract :
[en] Between 1984 and 2016 Caryl Phillips wrote nine radio plays which
were all broadcast on the BBC. Meant for a different circuit of
communication than his novels, essays and published stage plays,
Phillips’s radio plays might be dismissed as minor writing, yet they
constitute a fascinating, under-investigated body of texts which are
worth exploring alongside the rest of his work. Thematically, Phillips’s
radio drama covers similar ground to his fiction and essays. Starting
from this sense of familiarity, this article examines the formal and
communicative specificities at play in Phillips’s contributions to the
radio drama genre. Focusing on two radio plays entitled Crossing the
River (1985) and A Kind of Home: James Baldwin in Paris (2004), this
piece discusses which features of this marginal genre inform Phillips’s
radio-dramatic characterization of protagonists with complex
identities, but also, more generally, how these aspects infuse his
formally experimental fiction.
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