[en] Between 1984 and 2016 Caryl Phillips wrote nine radio plays which
were all broadcast on the BBC. Meant for a different circuit of
communication than his novels, essays and published stage plays,
Phillips’s radio plays might be dismissed as minor writing, yet they
constitute a fascinating, under-investigated body of texts which are
worth exploring alongside the rest of his work. Thematically, Phillips’s
radio drama covers similar ground to his fiction and essays. Starting
from this sense of familiarity, this article examines the formal and
communicative specificities at play in Phillips’s contributions to the
radio drama genre. Focusing on two radio plays entitled Crossing the
River (1985) and A Kind of Home: James Baldwin in Paris (2004), this
piece discusses which features of this marginal genre inform Phillips’s
radio-dramatic characterization of protagonists with complex
identities, but also, more generally, how these aspects infuse his
formally experimental fiction.
Research Center/Unit :
CEREP - Centre d'Enseignement et de Recherche en Études Postcoloniales - ULiège
Disciplines :
Literature
Author, co-author :
Ledent, Bénédicte ; Université de Liège - ULiège > Département de langues modernes : ling., litt. et trad. > Langue et linguistique anglaises modernes
Language :
English
Title :
Radio drama and its avatars in the work of Caryl Phillips
scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.
Bibliography
Bailey, Paul. 2004. “Extended Codas.” Times Literary Supplement, February 17.
Birat, Kathie. 2008. “‘Neither “Written” nor “Spoken”’: The Ambiguities of Voice in the Fiction of Caryl Phillips.” In The Caribbean Writer as Warrior of the Imaginary / L’Ecrivain caribéen, guerrier de l’imaginaire, edited by Kathleen, Gyssels and Bénédicte, Ledent, 287–306. Amsterdam and New York: Rodopi.
Birat, Kathie. 2013. “‘Creative Biography’: Fiction and Non-fiction in Caryl Phillips’s Foreigners: Three English Lives.” Commonwealth Essays and Studies 36 (1): 57–67.
Breiner, Laurence A., 2003. “Caribbean Voices on the Air: Radio, Poetry, and Nationalism in the Anglophone Caribbean.” In Communities of the Air: Radio Century, Radio Culture, edited by Susan, Merrill Squier, 93–108. Durham, NC: Duke University Press.
Carter, Angela. 1985. “Preface.” In Come unto these Yellow Sands: Four Radio Plays by Angela Carter Including “The Company of Wolves”, 7–13. Newcastle upon Tyne: Bloodaxe.
Cazeaux, Clive. 2005. “Phenomenology and Radio Drama.” The British Journal of Aesthetics 45 (2): 157–174.10.1093/aesthj/ayi018
Chignell, Hugh. 2015. “Radio Drama.” In The Routledge Companion to British Media History, edited by Martin, Conboy and John, Steel, 356–365. Abingdon: Routledge.
Crofts, Charlotte. 2003. ‘Anagrams of Desire’: Angela Carter’s Writing for Radio, Film and Television. Manchester: Manchester University Press.
Crook, Tim. 1999. Radio Drama: Theory and Practice. London and New York: Routledge.
Dolar, Mladen. 2006. A Voice and Nothing More. Cambridge, MA: MIT Press.
Gilbert, Helen, and Joanne, Tompkins. 1996. Post-Colonial Drama: Theory, Practice, Politics. London and New York: Routledge.10.4324/9780203421062
Guralnick, Elissa S., 1996. “Preface.” Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio, ix–xviii. Athens, OH: Ohio University Press.
Hitchcock, Peter. 2003. “The Genre of Postcoloniality.” New Literary History 34 (2): 299–330.10.1353/nlh.2003.0019
Ledent, Bénédicte. 2015. “Caryl Phillips’s Drama: Liminal Fiction Under Construction?” Journal of Postcolonial Writing 51 (1): 84–94.10.1080/17449855.2014.982924
Ledent, Bénédicte. 2017. “Caryl Phillips’s Crossing the River and the Chorus of Archival Memory.” Forthcoming in a special issue of Commonwealth Essays and Studies on Caryl Phillips.
López-Ropero, Lourdes. 2002. “Irony’s Political Edge: Genre Pastiche in Caryl Phillips’ Cambridge.” In Beyond Borders: Redefining Generic and Ontological Boundaries, edited by Ramón, Plo-Alastrué and María Jesús, Martínez-Alfaro, 131–137. Heidelberg: Universitätsverlag Winter.
Mascoli, Giulia. 2017. “Remembering Beyond Words: Jazz and Musicality in Caryl Phillips’s Crossing the River [1993].” Lamar Journal of the Humanities 42 (1): 5–22.
Nasta, Susheila. 1988. “Introduction.” In Eldorado West One, edited by Samuel, Selvon, 4–10. Leeds: Peepal Tree.
Phillips, Caryl. 1985a. “The Wasted Years.” In Best Radio Plays of 1984, 85–141. London: Methuen.
Phillips, Caryl. 1985b. Crossing the River: A Play for Radio. Caryl Phillips Papers. General Collection, Beinecke Rare Book and Manuscript Library, Yale University. MSS793, Box 15.
Phillips, Caryl. 1986a. The Prince of Africa. A Play for Radio. Caryl Phillips Papers. General Collection, Beinecke Rare Book and Manuscript Library, Yale University. MSS793, Box 15.
Phillips, Caryl. 1986b. A State of Independence. London: Faber and Faber.
Phillips, Caryl. 1987. “Dinner at Jimmy’s.” In The European Tribe, 39–44. London: Faber and Faber.
Phillips, Caryl. 1993. Crossing the River. London: Bloomsbury.
Phillips, Caryl. 1994. “Crossing the River: Caryl Phillips talks to Maya Jaggi.” Wasafiri 20: 25–29.
Phillips, Caryl. 1997. The Nature of Blood. London: Bloomsbury.
Phillips, Caryl. 2001. “Marvin Gaye.” In A New World Order: Selected Essays, 35–59. London: Secker and Warburg.
Phillips, Caryl. 2004a. A Kind of Home: James Baldwin in Paris. Caryl Phillips Papers. General Collection, Beinecke Rare Book and Manuscript Library, Yale University. MSS793, Box 53.
Phillips, Caryl. 2004b. “Something About Her.” Review of Not Without Love, by Constance Webb. Times Literary Supplement, April 23: 10.
Phillips, Caryl. 2005a. Hotel Cristobel. Caryl Phillips Papers. General Collection, Beinecke Rare Book and Manuscript Library, Yale University. MSS793, Box 52.
Phillips, Caryl. 2005b. Dancing in the Dark. London: Secker and Warburg.
Phillips, Caryl. 2006. “Finding Oneself at Home.” Guardian, January 21.
Phillips, Caryl. 2007. Foreigners: Three English Lives. London: Harvill Secker.
Phillips, Caryl. 2008. A Long Way from Home. BBC Radio 3.
Phillips, Caryl. 2009. In the Falling Snow. London: Harvill Secker.
Phillips, Caryl. 2011a. Dinner in the Village. BBC Radio 4.
Phillips, Caryl. 2011b. “James Baldwin: The Price of the Ticket (2007).” In Colour Me English: Selected Essays, 239–250. London: Harvill Secker.
Phillips, Caryl. 2015. The Lost Child. London: Oneworld.
Phillips, Caryl. 2017a. “The 70’s? ‘This Was a Tough Time’: An Interview with Caryl Phillips (by Josiane Ranguin).” Postcolonial Text 12 (1): 1–15.
Phillips, Caryl. 2017b. “Nothing Personal: James Baldwin, Richard Avedon, and the Pursuit of Celebrity.” ariel: A Review of International English Literature 48 (3–4): 13–28.10.1353/ari.2017.0035
Ranguin, Josiane. 2016. “Fonction scopique et investigation du réel anglo-caribéen dans l'œuvre de Caryl Phillips.” PhD thesis, Université Paris 13.
Scafe, Suzanne. 2015. “Home/lessness, Exile and Triangular Identities in the Drama of Caryl Phillips.” In Modern and Contemporary Black British Drama, edited by Mary F., Brewer, Lynette, Goddard and Deirdre, Osborne, 62–76. London: Palgrave.10.1007/978-1-137-50629-0
Selvon, Samuel. 1956. The Lonely Londoners. London: Alan Wingate.
Selvon, Samuel. 2008. Eldorado West One. Leeds: Peepal Tree.
Stanton, William. 2004. “The Invisible Theatre of Radio Drama.” Critical Quarterly 46 (4): 94–107.10.1111/criq.2004.46.issue-4
Su, Ping. 2013. “Words into Image: Cinematic Elements in Caryl Phillips’s Fiction.” PhD thesis, University of Hong Kong.
This website uses cookies to improve user experience. Read more
Save & Close
Accept all
Decline all
Show detailsHide details
Cookie declaration
About cookies
Strictly necessary
Performance
Strictly necessary cookies allow core website functionality such as user login and account management. The website cannot be used properly without strictly necessary cookies.
This cookie is used by Cookie-Script.com service to remember visitor cookie consent preferences. It is necessary for Cookie-Script.com cookie banner to work properly.
Performance cookies are used to see how visitors use the website, eg. analytics cookies. Those cookies cannot be used to directly identify a certain visitor.
Used to store the attribution information, the referrer initially used to visit the website
Cookies are small text files that are placed on your computer by websites that you visit. Websites use cookies to help users navigate efficiently and perform certain functions. Cookies that are required for the website to operate properly are allowed to be set without your permission. All other cookies need to be approved before they can be set in the browser.
You can change your consent to cookie usage at any time on our Privacy Policy page.