Maria Wikse, Materialisations of a Woman Writer: InvestigatingJanet Frame's Biographical Legend (Oxford: Peter Lang, 2006), 13.
Vanessa Finney, 'What Does "Janet Frame" Mean?', Journal of New Zealand Literature 11 (1993), 193-205:194.
Janet Frame, The Carpathians (London: Bloomsbury, 1988), 44.
Janet Frame, The Adaptable Man (New York: Braziller, 1965), 72.
Janet Frame, An Angel at My Table: Autobiography 2 (London: The Women's Press, 1984), 27.
Janet Frame, To the Is-Land: Autobiography 1 (London: The Women's Press, 1982), 161.
Janet Frame, The Envoy from Mirror City: Autobiography 3 (London: The Women's Press, 1985), 154.
Jan Cronin, The Frame Function: An Inside-Out Guide to the Novels of Janet Frame (Auckland: Auckland University Press, 2011), 14.
Valérie Baisnée, 'Through the Long Corridor of Distance': Space and Self in Contemporary New Zealand Women's Autobiographies (Amsterdam and New York: Rodopi, 2014; Cross/Cultures 175), 40.
Bill Ashcroft, Gareth Griffiths, and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (London and New York: Routledge, 1989), 109.
James K. Baxter, Beyond the Palisade: Poems (Christchurch: The Caxton Press, 1944).
Lorna M. Irvine, Critical Spaces: Margaret Laurence and Janet Frame (Columbia, SC: Camden House, 1995), 41.
Ruth Brown, 'Owls Do Cry: Portrait of New Zealand?', Landfall 175 (September 1990): 350-8.
See Linda Hardy, 'The Ghost of Katherine Mansfield', Landfall 172 (December 1989): 416-32.
Janet Frame, In the Memorial Room (Melbourne: Text Publishing, 2013), 12.
Mark Williams, Leaving the Highway: Six Contemporary New Zealand Novelists (Auckland: Auckland University Press, 1990), 25.
C. K. Stead, Answering to the Language: Essays on Modern Writers (Auckland: Auckland University Press, 1989), 238.
Jeanne Delbaere, 'The Carpathians: Memory and Survival in the Global Village', in The Ring of Fire: Essays on Janet Frame, ed. Jeanne Delbaere (Sydney: Dangaroo Press, 1992), 202-8.
Nick Perry, 'Flying by Nets: The Social Pattern of New Zealand Fiction', Islands 3, 2 (1987): 161-77.
Simon During, 'Postmodernism or Postcolonialism?', Landfall 155 (September 1985), 366-80: 370.
Carmen Luz Fuentes-Vásquez, Dangerous Writing: The Autobiographies of Willa Muir, Margaret Lawrence and Janet Frame (Amsterdam and New York: Rodopi, 2013; Costerus New Series 199), 175.
Janet Frame, A State of Siege (Christchurch: Pegasus, 1967), 118.
Janet Frame, Scented Gardensfor the Blind (1963) (New York: Braziller, 1964), 11.
Leila Golafshani, 'Self as a "Migratory Bird": Janet Frame's Towards Another Summer', Hecate 34,1 (2008), 104-19: 112.
Allen Curnow, Collected Poems 1933-1973 (Wellington: Reed, 1974), 132.
Marc Delrez, 'The Literal and the Metaphoric: Paradoxes of Figuration in the Work of Janet Frame', Commonwealth Essays and Studies 33, 2 (Spring 2011), 10-20.
Cindy Gabrielle, 'Janet Frame in East-West Encounters', Journal of PostcolonialWriting 49, 3 (2013): 328-39.