Sylvie Neven, "'Colour ConText'. A Database on Colour Practice and Colour Knowledge in Pre-Modern Europe, " in Making and Transforming Art: Technology and Interpretation, edited by Hélène Dubois, Joyce H. Townsend, Jilleen Nadolny, Sigrid Eyb-Green, Stefanos Kroustallis, Sylvie Neven (London: Archetype Publications, 2014), pp. 125-126.
Leiden, Rijksmuseum van Oudheden, Papyrus p. leid.x.; Uppsala, Victoria Museum, p. holm.
Robert Halleux, Alchimistes grecs, Vol. 1, Papyrus de Leyde. Papyrus de Stockholm. Fragments de recettes (Paris: Les Belles Lettres, 1981).
Hjalmar Hedfors, Compositiones ad Tingenda Musiva, herausgegeben, übersetzt und philologisch erklärt (Uppsala: Almqvist & Wiksell, 1932).
Marcellin Berthelot, Charles E. Ruelle, Collection des anciens alchimistes grecs (Paris: G. Steinheil, 1888-1889)
Matteo Martelli, Pseudo-Democrito. Scritti alchemici con il commentario di Sinesio (Paris/Milan: s.é.h.a.-Archè, 2011).
Robert Halleux, Paul Meyvaert, "Les origines de la Mappae Clavicula, " Archives d'Histoire Doctrinale et Littéraire du Moyen-Age, 1987, 54:7-58.
Cyril S. Smith, John G. Hawthorne, Mappae Clavicula. A Little Key to the World of Medieval Technique (Philadelphia: American Philosophical Society, 1974).
Lawrence M. Principe, Lloyd De Witt, Transmutations: Alchemy in Art (Philadelphia: Chemical Heritage Foundation, 2002), pp. 2-3
Lawrence M. Principe, The Secrets of Alchemy (Chicago: University of Chicago Press, 2013), p. 13.
Mark Clarke, The Art of all Colours. Medieval Recipe Books for Painters and Illuminators (London: Archetype Publications, 2001), p. 37
Principe, The Secrets of Alchemy (cit. note 8), p. 17.
Matteo Martelli, "The Alchemical Art of Dyeing: The Fourfold Division of Alchemy and the Enochian Tradition, " in Laboratories of Art. Alchemy and Art Technology from Antiquity to the 18th Century, edited by Sven Dupré (Cham [u.a]: Springer, 2014), pp. 1-22.
Spike Bucklow, "Paradigms and Pigment Recipes: Vermilion, Synthetic Yellows and the Nature of Egg, " Zeitschrift für Kunsttechnologie und Konservierung, 1999, 13:140-149.
http://www.ub.uni-heidelberg.de/digi-pdf-katalogisate/sammlung2/werk/pdf/cpg489.pdf (accessed 10 March 2015).
Karin Schneider, Die deutschen Handschriften der Bayerischen Staatsbibliothek, München. Cgm. 691-867 (Wiesbaden: Harrassowitz, 1984), p. 479.
Nikolaus Paulus, "Der Benediktiner Wolfgang Seidel. Ein bayerische Gelehrter des 16. Jahrhunderts, " Historisch Politische Blätter, 1894, 113:165-185
Hubert Pöhlein, Wolfgang Seidel, Benediktiner aus Tegernsee, Prediger zu München Sein Leben und sein Werk (Munich: Zink, 1951).
Pierre Cézard, "L'alchimie et les recettes techniques, " Métaux et civilisations, 1945, 1:5-10, p. 6.
William Eamon, Science and the Secrets of Nature. Books of Secrets in Medieval and Early Modern Culture (Princeton: Princeton University Press, 1994), p. 36.
Guillaume Sedacer, " Micrologus' Library. Alchimia e medicina nel Medioevo, 2003, 9:109-134, pp. 110-113.
Wilfrid Theisen, "The Attraction of Alchemy for Monks and Friars in the 13th-14th Centuries, " The American Benedictine Review, 1995, 46:239-253.
Pascale Barthélemy, La Sedacina ou l'oeuvre au crible. L'alchimie de Guillaume Sedacer, carme catalan de la fin du xive siècle (Paris/Milan: s.é.h.a.-Archè, 2002), pp. 26-28.
Doris Oltrogge, "Der Liber Illuministrarum als kunsttechnologische Quellenscrift, " in Der 'Liber Illuministrarum' aus Kloster Tegernsee, edited by Anna Bartl et al. (Stuttgart: Franz Steiner, 2005), pp. 32-34.
