Article (Scientific journals)
Subjective Evaluation of the Audiovisual Spatial Congruence in the Case of Stereoscopic-3D Video and Wave Field Synthesis
André, Cédric; Corteel, Etienne; Embrechts, Jean-Jacques et al.
2014In International Journal of Human-Computer Studies, 72 (1), p. 23-32
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NOTICE: this is the author’s version of a work that was accepted for publication in the International Journal of Human-Computer Studies. Changes resulting from the publishing process, such as peer review, editing, corrections, structural formatting, and other quality control mechanisms may not be reflected in this document. Changes may have been made to this work since it was submitted for publication. A definitive version was subsequently published in International Journal of Human - Computer Studies 72/1 (2014), pp. 23-32, DOI:10.1016/j.ijhcs.2013.09.004


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Keywords :
spatial congruence; bimodal integration; stereoscopic video; Wave Field Synthesis; psychometric curve; background noise
Abstract :
[en] While 3D cinema is becoming increasingly established, little effort has focused on the general problem of producing a 3D sound scene spatially coherent with the visual content of a stereoscopic-3D (s-3D) movie. The perceptual relevance of such spatial audiovisual coherence is of significant interest. In this paper, a subjective experiment is carried out where an angular error between an s-3D video and a spatially accurate sound reproduced through Wave Field Synthesis (WFS) is simulated. The psychometric curve is measured with the method of constant stimuli, and the threshold for bimodal integration is estimated. The impact of the presence of background noise is also investigated. A comparison is made between the case without any background noise and the case with an SNR of 4 dB(A). Estimates of the thresholds and the slopes, as well as their confidence intervals, are obtained for each level of background noise. When background noise was present, the point of subjective equality (PSE) was higher (19.4° instead of 18.3°) and the slope was steeper (-0.077 instead of -0.062 per degree). Because of the overlap between the confidence intervals, however, it was not possible to statistically differentiate between the two levels of noise. The implications for the sound reproduction in a cinema theater are discussed.
Disciplines :
Electrical & electronics engineering
Author, co-author :
André, Cédric ;  Université de Liège - ULiège > Dép. d'électric., électron. et informat. (Inst.Montefiore) > Dép. d'électric., électron. et informat. (Inst.Montefiore)
Corteel, Etienne;  sonic emotion labs
Embrechts, Jean-Jacques ;  Université de Liège - ULiège > Dép. d'électric., électron. et informat. (Inst.Montefiore) > Techniques du son et de l'image
Verly, Jacques ;  Université de Liège - ULiège > Dép. d'électric., électron. et informat. (Inst.Montefiore) > Exploitation des signaux et images
Katz, Brian F.G.;  LIMSI-CNRS > Communication Homme-Machine > Groupe Audio & Acoustique
Language :
English
Title :
Subjective Evaluation of the Audiovisual Spatial Congruence in the Case of Stereoscopic-3D Video and Wave Field Synthesis
Publication date :
January 2014
Journal title :
International Journal of Human-Computer Studies
ISSN :
1071-5819
eISSN :
1095-9300
Publisher :
Elsevier
Volume :
72
Issue :
1
Pages :
23-32
Peer reviewed :
Peer Reviewed verified by ORBi
Available on ORBi :
since 24 October 2013

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