[en] Since the celebrations for Ignatius’s beatification organized in Brussels in 1609, the Belgian Jesuits kept proposing processional performances characterized not only by their highly spectacular features, but also by their physical dimensions, in contempt of synodal summons that imposed a strong spiritualization of the processions. With Jesuit ceremonies, bodies are in movement, senses are awakened, and emotions are heightened. Processions establish themselves as immersional spatio-temporal frames where what matters the most seems to be the experience provoked by the saturation of special effects. I will seek to define the practical terms of this experience and to identify the devices used to make this experience possible and the purpose behind this activation of experience.
Research Center/Unit :
Academia Belgica - Institut Historique Belge de Rome - Fondation Princesse Marie-José Transitions - Transitions (Département de recherches sur le Moyen Âge tardif & la première Modernité) - ULiège
Disciplines :
Performing arts History Religion & theology
Author, co-author :
Delfosse, Annick ; Université de Liège - ULiège > Transitions/Dép.de rech.sur le M.Â. tardif & la 1è Modernité > Transitions/Dép.de rech.sur le M.Â. tardif & la 1è Modernité
Language :
English
Title :
Jesuit solemnities in the Southern Netherlands: immersion and experience
Publication date :
05 April 2013
Event name :
Annual Meeting of the Renaissance Society of America
Event organizer :
Renaissance Society of America
Event place :
San Diego, United States
Event date :
4-6 avril 2013
Audience :
International
Name of the research project :
"Cultures du Spectacle Baroque entre Italie et Pays-Bas"
Funders :
BELSPO - SPP Politique scientifique - Service Public Fédéral de Programmation Politique scientifique
Commentary :
Communication prenant place dans une double session "Jesuit & Spectacle", organisée par Ralph Dekoninck & Annick Delfosse dans le cadre du projet fédéral "Cultures du spectacle baroque entre Italie et Pays-Bas".