Mascoli, G. (27 June 2020). The Call and Response Pattern in Caryl Phillips’s Crossing the River [Paper presentation]. Musical Spring : Study day on Literature and Interdisciplinarity. |
  | Mascoli, G. (2019). Review: Anthony Joseph's Kitch and Caryl Phillips's A View of the Empire at Sunset. Wasafiri, 99 (Autumn).  Peer Reviewed verified by ORBi |
  | Mascoli, G., & Belleflamme, V.-A. (2019). Sur les traces d'Hena Maes-Jelinek. Les études postcoloniales : inauguration d'une tradition liégeoise. In V. Genin (Ed.), Une Fabrique des Sciences humaines. L'Université de Liège dans la mêlée (1817-2017) (pp. 265-283). Bruxelles, Belgium: Archives générales du Royaume. |
Mascoli, G. (15 June 2018). Music as a Refuge in Caryl Phillips’s In the Falling Snow (2009), The Lost Child (2015) and as a Policy of Audibility in Foreigners : Three English Lives (2007) [Paper presentation]. Music and Literature: Innovations, Intersections, and Interpretations, Edimbourg, United Kingdom. |
Mascoli, G. (14 April 2018). Articulating Silence in Caryl Phillips's A Distant Shore, The Nature of Blood and Higher Ground [Paper presentation]. Listening to Silence: The Presence of Absence in Music and Literature, Turin, Italy. |
 | Mascoli, G. (2018). Spectral Echoes in Caryl Phillips’s The Nature of Blood. Lectures du Monde Anglophone, (4). Peer reviewed |
Mascoli, G. (23 May 2017). Haunting Memories Voiced through Mnemonic Prose in Caryl Phillips’s The Nature of Blood’ [Paper presentation]. Inhabiting the Voids of History: A Conference on Caryl Phillips, Caen, France. |
Mascoli, G. (03 March 2017). Musical(ized) Biographies: Jackie Kay’s Trumpet and Caryl Phillips’s Dancing in the Dark [Paper presentation]. Illuminating Lives: The Biographical Impulse in Postcolonial Literatures, Liège, Belgium. |
Belleflamme, V.-A., & Mascoli, G. (11 February 2017). Sur les traces de Madame Maes Maes-Jelinek. Les études postcoloniales : inauguration d’une tradition liégeoise [Paper presentation]. Deux siècles au service des Sciences Humaines, Liège, Belgium. |
 | Mascoli, G. (2017). Remembering Beyond Words: Jazz and Musicality in Caryl Phillips’s Crossing the River. Lamar Journal of the Humanities, XLII (Spring), 5-22. Peer Reviewed verified by ORBi |
 | Mascoli, G. (2017). “The River That Does Not Know Its Own Source Will Dry Up”: Caryl Phillips’s Musicalized Fiction. Commonwealth: Essays and Studies, 40 (Autumn). Peer reviewed |
 | Mascoli, G. (2017). Caryl Phillips: La nature humaine. Culture, le Magazine Culturel de l'Université de Liège. |
Mascoli, G. (25 November 2016). Caryl Phillips's Jazzy Prose: The Nature of Blood [Paper presentation]. VAL Studie Dag, Bruxelles, Belgium. |
Mascoli, G. (06 October 2016). Music(ality) in Phillips’s Fiction [Paper presentation]. Words on Music and Music with Words: Thinking Music (Performance) through Literary Methodologies, Liège, Belgium. |
Mascoli, G. (11 September 2016). Caryl Phillips’s Musicalized Fiction and its Impact on the Reader [Paper presentation]. “Celesti e Armoniose sorelle, voce e poesia”: le interconnessioni fra musica e scrittura, Bagni di Lucca, Italy. |
 | Mascoli, G., & Willie, M. S. (2016). Garth St Omer, Prisnms. Culture, le Magazine Culturel de l'Université de Liège. |
Mascoli, G. (20 March 2016). Rhythm and Repetition in Caryl Phillips’s Dancing in the Dark [Paper presentation]. The American Comparative Literature Association's 2016 Annual Meeting, Cambridge (Massachusetts), United States. |
 | Mascoli, G. (2016). Sarah Quigley: La symphonie de Leningrad. Culture, le Magazine Culturel de l'Université de Liège. |
 | Mascoli, G. (2016). Suhayl Saadi: Psychoraag. Culture, le Magazine Culturel de l'Université de Liège. |
Mascoli, G. (01 November 2015). Music and Musicality in Caryl Phillips’s Crossing the River [Paper presentation]. “Sound and Story: The Rhythms of Language”, Nashville, United States. |
Mascoli, G. (07 September 2015). Diasporic Experience and Music in Caryl Phillips’s Crossing the River [Paper presentation]. Postcolonial Studies Association 2015 Convention: Diasporas, Leicester, United Kingdom. |
Mascoli, G. (14 August 2015). Music, Musicality, Narrative and the Moving Image in Caryl Phillips’s Dancing in the Dark [Paper presentation]. Word and Music Association Conference: Music, Narrative, and the Moving Image, New York, United States. |
Mascoli, G. (24 April 2015). Going Mad From Pain in Caryl Phillips’s Fiction [Paper presentation]. Altered States: Configuring Madness in Caribbean Literature, Belgium. |
 | Mascoli, G. (2015). Caryl Phillips: Cambridge. Culture, le Magazine Culturel de l'Université de Liège. |
 | Mascoli, G. (2014). Caryl Phillips, La traversée du fleuve. Culture, le Magazine Culturel de l'Université de Liège. |