![]() ![]() | Burkitt, K. (2012). Blonde Roots, Black History: History and the Form of the Slave Narrative in Bernardine Evaristo's Blonde Roots. Journal of Postcolonial Writing, 48 (4), 406-417. doi:10.1080/17449855.2011.616352 ![]() |
Burkitt, K. (2012). Literary Form as Postcolonial Critique: Epic for the Contemporary World. Farnham, United Kingdom: Ashgate. |
Burkitt, K. (2010). Frozen Moments: The Motif of the Photograph in the Work of Anne Carson and Michael Ondaatje. In M. Gidley (Ed.), Writing with Light: Words and Photographs in American Texts (pp. 223-241). Bern, Switzerland: Peter Lang. |
![]() ![]() | Burkitt, K. (2010). Bernardine Evaristo. In C. Sandru & R. Clark (Ed.), Literary Encyclopedia. Literary Encyclopedia. |
![]() ![]() | Burkitt, K. (2010). Breaking the Mould: Escaping the term "Black British Poetry" in the Work of Jackie Kay and Bernardine Evaristo. Revista Canaria de Estudios Ingleses, 60, 83-95. ![]() |
Burkitt, K. (2010). In their Fathers' Footsteps: Performing Masculinity and Fatherhood in the Work of Les Murray and Michael Ondaatje. In R. Emig & A. Rowland (Eds.), Performing Masculinity (pp. 109-125). Basingstoke, United Kingdom: Palgrave. doi:10.1057/9780230276086 ![]() |
Burkitt, K. (2007). Epic Proportions: Post-Epic Verse-Novels and Postcolonial Critique [Doctoral thesis, University of Salford]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/31520 |
![]() ![]() | Burkitt, K. (2007). Imperial Reflections: The Post-Colonial Verse-Novel as Post-Epic. In L. Hardwick (Ed.), Classics in Post-Colonial Worlds (pp. 157-169). Oxford, United Kingdom: Oxford University Press. ![]() |
Burkitt, K. (Ed.). (2005). The Future of Identity. Salford, United Kingdom: University of Salford. |