![]() ![]() | Mergeai, M. (2013). Creative Spatializations: New Cartographies in Contemporary Black Canadian Fiction [Doctoral thesis, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/141900 |
Mergeai, M. (2008). Commented Translation of Lawrence Hill's Any Known Blood (partim) [Master’s dissertation, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/194389 |
Mergeai, M. (2007). Oceanic Metaphors: Cycles and Circles in Dionne Brand's At the Full and Change of the Moon [Master’s dissertation, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/194390 |
Munos, D., O'Callaghan, E., & Mergeai, M. (Eds.). (2023). Caryl Phillips’s Genealogies. Leiden, Netherlands: Brill. ![]() |
![]() ![]() | Mergeai, M. (2011). Towards a New Canadianness: Re(-)Membering Canada in Lawrence Hill’s Any Known Blood (1997) and David Chariandy’s Soucouyant (2007). Canada and Beyond: A Journal of Canadian Literary and Cultural Studies, 1 (1-2), 83-103. ![]() |
![]() ![]() | Mergeai, M. (2009). A Story in History: Mapping Places and Memories in Lawrence Hill’s The Book of Negroes (2007). Middle Ground: Journal of Literary and Cultural Encounters, 3, 67-89. ![]() |
![]() ![]() | Mergeai, M. (November 2008). Pour accueillir David Chariandy. Journal de BabeLg, 26. |
![]() ![]() | Mergeai, M. (2014). Lyrical Cartographies: Re-Drawing the Boundaries of the Black Atlantic in Dionne Brand's A Map to the Door of No Return and At the Full and Change of the Moon. In L. Durán Almarza & E. Álvarez López (Eds.), Diasporic Women's Writing of the Black Atlantic: (En)Gendering Literature and Performance (pp. 64-80). Routledge. ![]() |
![]() ![]() | Mergeai, M. (2008). Atlantic Connections: Metaphors of the Black Diaspora in Dionne Brand's At the Full and Change of the Moon. New Mango Season, 2 (1). |
Mergeai, M. (2012). Dionne Brand. Culture, le Magazine Culturel de l'Université de Liège. |
Mergeai, M. (2011). Imaginary Cartographies: Mapping Toronto in Dionne Brand’s What We All Long For [Paper presentation]. World Literature, Comparative Literature, Vancouver, Canada. |
Mergeai, M. (2014). The Exclusive Geographies of Toronto in a few Black Canadian Novels [Paper presentation]. The Geopolitics of Intimacy (Canada and Beyond Seminar 3). |
Mergeai, M. (2012). Evolving Representations of Migrancy in Dionne Brand’s Novels [Paper presentation]. Canada and Beyond II: From Sea to Sea to Sea and Beyond. |
Mergeai, M. (2011). Atlantic Crossings: The Construction of Black (Canadian) Identities in Dionne Brand’s At the Full and Change of the Moon and Lawrence Hill’s The Book of Negroes [Paper presentation]. EACLALS Triennial Conference: ‘Under Construction: Gateways and Walls’. |
Mergeai, M. (2011). Beyond the Caribbean: Dionne Brand’s What We All Long For, a Post-National Text? [Paper presentation]. 6th International Caribbean Women's Writing Conference: Comparative Critical Conversations. |
Mergeai, M. (2010). Fragmented City, Fragmented Selves: Identity Quests in Dionne Brand's What We All Long For [Paper presentation]. La ciudad fragmentada en las letras americanas/ The fragmented city in american literary imagination. |
Mergeai, M. (2010). Rewriting Canadian Multiculturalism: Lawrence Hill’s and David Chariandy’s Versions [Paper presentation]. Canada and Beyond: A Seminar. |
Mergeai, M. (2010). Towards a New Canadianness: A Re-Mapping of Postcolonial Canada in Lawrence Hill’s Fictions [Paper presentation]. The 15th Triennial ACLALS Conference: Strokes Across Culture, Nicosie, Cyprus. |
Mergeai, M. (2009). Caribbean Tropicality through Canadian Lenses: Identity and Spatial Representations in Dionne Brand’s and Althea Prince’s Writings [Paper presentation]. American Tropics: Towards a Literary Geography, United Kingdom. |