[en] The Labours of Hercules, one of the most popular literary and artistic themes of the Renaissance, was a particularly prolific motif for Flemish tapestries. The iconographic scheme of the Hercules series synthesized an enormous range of ancient and medieval philosophical and didactic erudition, the roots of which stretchted back to works like Boethius’ Consolation of Philosophy, Boccaccio’s Genealogy of the Gods or the Ovide moralisé. This paper will examine an episode especially favoured in the sixteenth-century series: the fight between Hercules and the river-God Achelous (Metamorphoses, IX, 1-100).
Research Center/Unit :
Transitions - Transitions (Département de recherches sur le Moyen Âge tardif & la première Modernité) - ULiège
Disciplines :
Art & art history
Author, co-author :
Laruelle, Anne-Sophie ; Université de Liège - ULiège > Département des sciences historiques > Histoire de l'art et archéologie des temps modernes
Language :
English
Title :
Ovid’s Metamorphoses and the Labours of Hercules Tapestries in the Renaissance
Publication date :
19 September 2022
Event name :
Conference "Ovidius Pictus". The Fortune of Metamorphoses in Europe from Books to Arts
Event organizer :
Universidad de Santiago de Compostela (USC) Università di Macerata