Najar, I. (2012). Caryl Phillips's "Heartland" and Joseph Conrad's Heart of Darkness: Revisiting Fear - An Intertextual Approach. In B. Ledent & D. Tunca (Eds.), Caryl Phillips: Writing in the Key of Life (pp. 139-151). Amsterdam, Netherlands: Rodopi. Peer reviewed |
Najar, I. (29 April 2011). Robert Antoni's Blessed is the Fruit: Negotiating the Past and Building the Future through Carnival [Paper presentation]. EACLALS triennial conference, "Under Construction: Gateways and Walls", Istanbul, Turkey. |
Najar, I. (2010). Conrad's Kurtz in Heart of Darkness and Phillips's Nash in Crossing the River: A Discursive Approach. In K. Gyssels & B. Ledent (Eds.), Présence africaine en Europe et au-delà / African Presence in Europe and Beyond (pp. 265-278). Paris, France: L'Harmattan. Peer reviewed |
Najar, I. (29 March 2008). Robert Antoni's Carnival: A Carnivalizing of Ernest Hemingway's The Sun Also Rises [Paper presentation]. EACLALS triennial conference, "Try Freedom: Rewriting Rights in/through Postcolonial Literatures, Venice, Italy. |
Najar, I. (28 September 2007). Carnival and Homecoming in Robert Antoni's Carnival [Paper presentation]. European Perspectives on the Black Atlantic, Huelva, Spain. |
Najar, I. (16 November 2005). The Female Role in Anthills of the Savannah by Chinua Achebe [Paper presentation]. African Presence in Europe and Beyond / Présence africaine en Europe et au-delà, Antwerp, Belgium. |