Tunca, D. (2008). Style beyond Borders: Language in Recent Nigerian Fiction [Doctoral thesis, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/15897 |
Tunca, D. (2003). Voices and Visions: Language in Gbenga Agbenugba's Another Lonely Londoner and Ben Okri's The Landscapes Within and Dangerous Love [Specialised master, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/15896 |
Tunca, D. (2001). Witches, Scarecrows and Dinosaurs: Avatars of Adaptability in Janet Frame's The Adaptable Man [Master’s dissertation, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/15895 |
Tunca, D. (2014). Stylistic Approaches to Nigerian Fiction. Basingstoke, United Kingdom: Palgrave Macmillan. doi:10.1057/9781137264411 |
Romdhani, R., & Tunca, D. (Eds.). (2022). Narrating Violence in the Postcolonial World. Abingdon, United Kingdom: Routledge. doi:10.4324/9781003110231 Dataset: 10.4324/9781003110231 |
Ledent, B., & Tunca, D. (Eds.). (2020). Illuminating Lives: The Biographical Impulse in Postcolonial Literatures. Journal of Commonwealth Literature, 55 (3), 333-479. |
Tunca, D. (Ed.). (2020). Conversations with Chimamanda Ngozi Adichie. Jackson MS, United States: University Press of Mississippi. |
Ledent, B., O'Callaghan, E., & Tunca, D. (Eds.). (2018). Madness in Anglophone Caribbean Literature: On the Edge. New York, United States - New York: Palgrave. |
Tunca, D., & Wilson, J. (Eds.). (2016). Postcolonial Gateways and Walls: Under Construction. Leiden, Netherlands: Brill. doi:10.1163/9789004337688 |
Ledent, B., & Tunca, D. (Eds.). (2015). What is Africa to me now? Research in African Literatures, 46 (4), 1-150. |
Wilson, J., & Tunca, D. (Eds.). (2015). Postcolonial Thesholds: Gateways and Borders. Journal of Postcolonial Writing, 51 (1), 1-107. |
Ledent, B., & Tunca, D. (Eds.). (2014). What is Africa to me now? Transition, 113, 1-101. |
Ledent, B., & Tunca, D. (Eds.). (2012). Caryl Phillips: Writing in the Key of Life. Amsterdam, Netherlands: Rodopi. |
Tunca, D. (08 April 2020). 'Nobody disappears. People don't just disappear': Repetition and Negation as Dialogic Devices in Caryl Phillips's 'Northern Lights'. Journal of Literary Semantics, 49 (1), 1-25. doi:10.1515/jls-2020-2018 Dataset: http://doi.org/10.1515/jls-2020-2018 |
Tunca, D., & Ledent, B. (2020). Towards a Definition of Postcolonial Biographical Fiction. Journal of Commonwealth Literature, 55 (3), 335-346. doi:10.1177/0021989419881234 |
Tunca, D. (2018). The Danger of a Single Short Story: Reality, Fiction and Metafiction in Chimamanda Ngozi Adichie’s "Jumping Monkey Hill". Journal of Postcolonial Writing, 54 (1). doi:10.1080/17449855.2017.1419833 |
Tunca, D. (2018). Chimamanda Ngozi Adichie as Chinua Achebe's (Unruly) Literary Daughter: The Past, Present, and Future of "Adichebean" Criticism. Research in African Literatures, 49 (4), 107-126. doi:10.2979/reseafrilite.49.4.08 |
Tunca, D. (July 2017). The Poetics of (In)visibility: A Stylistic Analysis of Caryl Phillips' Foreigners: Three English Lives. Ariel: A Review of International English Literature, 48 (3-4), 159-186. doi:10.1353/ari.2017.0026 |
Tunca, D., & Ledent, B. (2015). The Power of a Singular Story: Narrating Africa and Its Diasporas. Research in African Literatures, 46 (4), 1-9. doi:10.2979/reseafrilite.46.4.1 |
Wilson, J., & Tunca, D. (2015). Postcolonial Thresholds: Gateways and Borders. Journal of Postcolonial Writing, 51 (1), 1-6. doi:10.1080/17449855.2014.988434 |
Ledent, B., & Tunca, D. (2014). What is Africa to me now? The continent and its literary diasporas. Transition, 113, 1-10. |
Tunca, D. (2013). The Confessions of a "Buddhist Catholic": Religion in the Works of Chimamanda Ngozi Adichie. Research in African Literatures, 44 (3), 50-71. doi:10.2979/reseafrilite.44.3.50 |
Tunca, D. (2009). Redressing the "Narrative Balance": Subjection and Subjectivity in Chika Unigwe's On Black Sisters' Street. Afroeuropa: Journal of AfroEuropean Studies, 3 (1). |
Tunca, D. (2009). Linguistic Counterpoint in Gbenga Agbenugba's Another Lonely Londoner. Matatu: Journal for African Culture and Society, 36, 195-211. |
Tunca, D. (2009). Ideology in Chimamanda Ngozi Adichie’s Purple Hibiscus (2003). English Text Construction, 2 (1), 121-131. doi:10.1075/etc.2.1.07tun |
Tunca, D. (2009). An Ambiguous "Freedom Song": Mind-Style in Chimamanda Ngozi Adichie's Purple Hibiscus. Postcolonial Text, 5 (1), 1-18. |
Tunca, D. (2008). "'Nigeria is Bus is Stage': The Bus as Metaphor in Contemporary Nigerian Fiction". Commonwealth: Essays and Studies, 30 (2), 35-48. |
Tunca, D. (2006). Paying Attention to Language, Replicas and the Role of the Artist in Janet Frame's Living in the Maniototo. Journal of Postcolonial Writing, 42 (1), 32-43. doi:10.1080/17449850600595640 |
Tunca, D. (2004). Ben Okri's The Landscapes Within and Dangerous Love: Vision and Revision. BELL. Belgian Journal of English Language and Literatures, 2, 85-101. |
Tunca, D. (2008). "Svetski Nigerijci": Nigerijski pisci u dijaspori u dvadeset prvom veku (Cvijanović, I., Trans.). Mostovi, 143-144, 5-15. |
Tunca, D. (2024). Diasporic Consciousness and Narrative Ambiguity in Short Stories by Chimamanda Ngozi Adichie and Chika Unigwe. In L. Losambe & T. Ojaide, The Routledge Handbook of the New African Diasporic Literature. Abingdon, United Kingdom: Routledge. doi:10.4324/9781003396697-30 |
Romdhani, R., & Tunca, D. (2022). Introduction: Locating the Mutations of Colonial Violence in the Postcolonial World. In R. Romdhani & D. Tunca (Eds.), Narrating Violence in the Postcolonial World (pp. 1_20). Abingdon, United Kingdom: Routledge. Dataset: 10.4324/9781003110231-1 |
Tunca, D. (2022). Unscrambling the "Grammar of Violence": Sexual Assault and Emotional Vulnerability in Chimamanda Ngozi Adichie's Americanah. In R. Romdhani & D. Tunca (Eds.), Narrating Violence in the Postcolonial World (pp. 59-78). New York, United States: Routledge. doi:10.4324/9781003110231-3 Dataset: 10.4324/9781003110231-5 |
Tunca, D., & Nwankwọ, I. (2022). Confronting Racism and Colonialism in Cécile Djunga’s and Trevor Noah’s Stand-up Comedy. In I. Nwankwọ, Stand-up Comedy in Africa: Humour in Popular Languages and Media (pp. 45-66). Stuttgart, Germany: Ibidem. |
Tunca, D. (2020). The Novelist as Therapist: A Conversation with Chimamanda Ngozi Adichie. In D. Tunca, Conversations with Chimamanda Ngozi Adichie (pp. 182-200). Jackson, United States - Mississippi: University Press of Mississippi. |
Tunca, D. (2020). Introduction. In D. Tunca (Ed.), Conversations with Chimamanda Ngozi Adichie. Jackson MS, United States: University Press of Mississippi. |
Ledent, B., O'Callaghan, E., & Tunca, D. (2018). "Madness is rampant on this island": Writing Altered States in Anglophone Caribbean Literature. In B. Ledent, E. O'Callaghan, ... D. Tunca (Eds.), Madness in Anglophone Caribbean Literature: On the Edge (pp. 1-17). New York, United States - New York: Palgrave Macmillan. doi:10.1007/978-3-319-98180-2_1 |
Tunca, D. (2017). Intersections on the "Map of Art": Metaphor in Ben Okri's Dangerous Love and Wilson Harris's The Mask of the Beggar. In G. Collier, G. V. Davis, M. Delrez, ... B. Ledent (Eds.), The Cross-Cultural Legacy: Critical and Creative Writings in Memory of Hena Maes-Jelinek (pp. 81-95). Leiden, Netherlands: Brill. doi:10.1163/9789004338081_013 |
Tunca, D., & Wilson, J. (2016). Gateways and Walls, or the Power and Pitfalls of Postcolonial Metaphors. In J. Wilson & D. Tunca (Eds.), Postcolonial Gateways and Walls: Under Construction (pp. 9-18). Leiden, Netherlands: Brill. doi:10.1163/9789004337688_002 |
Tunca, D. (2013). "We die only once, and for such a long time": Approaching Trauma through Translocation in Chris Abani's Song for Night. In M. Munkelt, M. Schmitz, M. Stein, ... S. Stroh (Eds.), Postcolonial Translocations: Cultural Representation and Critical Spatial Thinking (pp. 127-143). Amsterdam, Netherlands: Rodopi. doi:10.1163/9789401209014_009 |
Ledent, B., & Tunca, D. (2012). Introduction. In B. Ledent & D. Tunca (Eds.), Caryl Phillips: Writing in the Key of Life (pp. 11-21). Amsterdam, Netherlands: Rodopi. |
Tunca, D. (2012). Towards a Stylistic Model for Analysing Anglophone African Literatures: Preliminary Epistemological Considerations and a Case Study. In J. K. S. Makokha, O. J. Obiero, ... R. West-Pavlov (Eds.), Style in African Literature: Essays on Literary Stylistics and Narrative Styles (pp. 31-57). Amsterdam, Netherlands: Rodopi. |
Tunca, D. (2012). Away from a Definition of African Literature(s). In P. Cuder-Domínguez & B. Ledent (Eds.), New Perspectives on the Black Atlantic: Definitions, Readings, Practices, Dialogues (pp. 105-124). Bern, Switzerland: Peter Lang. |
Tunca, D. (2012). Appropriating Achebe: Chimamanda Ngozi Adichie's Purple Hibiscus and "The Headstrong Historian". In P. Nicklas & O. Lindner (Eds.), Adaptation and Cultural Appropriation: Literature, Film, and the Arts (pp. 230-250). Berlin, Germany: De Gruyter. |
Tunca, D. (2010). Of French Fries and Cookies: Chimamanda Ngozi Adichie's Diasporic Short Fiction. In K. Gyssels & B. Ledent (Eds.), Présence africaine en Europe et au-delà / African Presence in Europe and Beyond (pp. 291-309). Paris, France: L'Harmattan. |
Tunca, D. (2022). Adichie, Chimamanda Ngozi. In S. J. Burn, L. Larkin, ... P. O'Donnell (Ed.), The Encyclopedia of Contemporary American Fiction, 1980-2020 (pp. 11-16). Hoboken, United States - New Jersey: John Wiley & Sons. |
Tunca, D. (2013). Chimamanda Ngozi Adichie. In B. Didier, M. Calle-Gruber, ... A. Fouque (Eds.), Le Dictionnaire universel des créatrices (pp. 47-48). Paris, France: Antoinette Fouque. |
Tunca, D. (2011). Okri, Ben (1959 - ). In H. L. Gates & E. K. Akyeampong (Eds.), Dictionary of African Biography (vol. 5: Oding-Teres) (pp. 23-25). New York, United States - New York: Oxford University Press. |
Tunca, D. (2011). Adichie, Chimamanda Ngozi (1977 - ). In H. L. Gates & E. K. Akyeampong (Eds.), Dictionary of African Biography (vol. 1: Abach-Brand) (pp. 94-95). New York, United States - New York: Oxford University Press. |
Tunca, D. (2010). Christopher Abani. In C. Sandru & R. Clark (Eds.), The Literary Encyclopedia. |
Tunca, D. (2008). Okri, Ben (1959-). In R. M. Juang & N. Morrissette (Eds.), Africa and the Americas: Culture, Politics, and History (pp. 847). Santa Barbara, United States - California: ABC Clio. |
Tunca, D. (2008). Chimamanda Ngozi Adichie. In J. Pouvelle & J.-P. Demarche (Eds.), Guide des littératures d’Irlande et du Commonwealth des origines à nos jours (pp. 287-290). Paris, France: Ellipses. |
Tunca, D. (2021). Review of Afropolitan Literature as World Literature, ed. by James Hodapp. Recherche littéraire / Literary Research, 37, 331-335. |
Tunca, D. (2019). Review of Fighting Words: Fifteen Books That Shaped the Postcolonial World, ed. by Dominic Davies, Erica Lombard, and Benjamin Mountford. Recherche Littéraire, 35, 263-267. |
Tunca, D. (2019). Review of A Companion to Chimamanda Ngozi Adichie, ed. by Ernest N. Emenyonu. Journal of Postcolonial Writing, 55 (1), 144-145. doi:10.1080/17449855.2019.1572486 |
Tunca, D. (2018). Review of Kai Mikkonen's Narrative Paths: African Travel in Modern Fiction and Nonfiction. Recherche Littéraire, (34), 149-153. |
Tunca, D. (2017). Review of Madhu Krishnan's Contemporary African Literature in English: Global Locations, Postcolonial Identifications. Journal of Postcolonial Writing, 53 (5), 617-618. doi:10.1080/17449855.2017.1330321 |
Tunca, D. (2011). Review of Frameworks: Contemporary Criticism on Janet Frame, ed. by Jan Cronin & Simone Drichel. Journal of Postcolonial Writing, 47 (3), 362-363. |
Tunca, D. (2010). Annotation of Patrick West's "Theoretical Allegory / Allegorical Theory: (Post-)Colonial Spatializations in Janet Frame's The Carpathians and Julia Kristeva's The Old Man and the Wolves". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20090414.31792 |
Tunca, D. (2010). Annotation of David Farrier's "'The other is the neighbour': The Limits of Dignity in Caryl Phillips's A Distant Shore". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20090123.30758 |
Tunca, D. (2010). Annotation of Madelaine Hron's "Ora na-azu nwa: The Figure of the Child in Third-Generation Nigerian Novels". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20081111.29944 |
Tunca, D. (2010). Annotation of Antony Johae's "Wole Soyinka's 'Hamlet': The Rotten State of Denmark Revisited". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20081104.29853 |
Tunca, D. (2010). Annotation of Valérie Baisnée's "To Ibiza: Separation and Recreation in Janet Frame's Island Narrative". Routledge Annotated Bibliography of English Studies. |
Tunca, D. (2010). Annotation of Obi Nwakanma's "Metonymic Eruptions: Igbo Novelists, the Narrative of the Nation, and New Developments in the Contemporary Nigerian Novel". Routledge Annotated Bibliography of English Studies. |
Tunca, D. (2010). Annotation of Emmanuel Chukuwudi Eze's "Language and Time in Postcolonial Experience". Routledge Annotated Bibliography of English Studies. |
Tunca, D. (2010). Review of Olabisi Gwamna's Dancing with Shadows and Other Stories. African Literature Today, 28, 150. |
Tunca, D. (2009). Annotation of Lily G.N. Mabura's "Breaking Gods: An African Postcolonial Gothic Reading of Chimamanda Ngozi Adichie's Purple Hibiscus and Half of a Yellow Sun". Routledge Annotated Bibliography of English Studies. |
Tunca, D. (2009). Annotation of Esther de Bruijn's "Coming to Terms with New Ageist Contamination: Cosmopolitanism in Ben Okri's The Famished Road". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20081104.29859 |
Tunca, D. (2009). Annotation of Bill Ashcroft's Caliban's Voice: The Transformation of English in Post-Colonial Literatures. Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20090106.30431 |
Tunca, D. (2009). Annotation of Lokangaka Losambe's "Death, Power and Cultural Translation in Wole Soyinka's Death and the King's Horseman". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20081013.29536 |
Tunca, D. (2009). Annotation of Marc Delrez's "The Missing Chapter in Janet Frame's Living in the Maniototo". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20090107.30452 |
Tunca, D. (2009). Annotation of Ivane Mortelette's "'A Proof that I Did Exist': Janet Frame and Photography". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20090107.30453 |
Tunca, D. (2009). Annotation of Omar Sougou's Writing Across Cultures: Gender Politics and Difference in the Fiction of Buchi Emecheta. Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20080306.27292 |
Tunca, D. (2008). Annotation of Gerald Gaylard's "Mastering Arachnophobia: The Limits of Self-Reflexivity in African Fiction". Routledge Annotated Bibliography of English Studies. doi:10.1080/ABES.20080502.27462 |
Tunca, D. (2008). Review of Chantal Zabus's The African Palimpsest: Indigenization of Language in the West African Europhone Novel. Tolomeo (Il), 11 (2), 30-32. |
Tunca, D. (2007). Review of Tomi Adeaga's Translating and Publishing African Language(s) and Literature(s): Examples from Nigeria, Ghana and Germany. Commonwealth: Essays and Studies, 31 (1), 119-121. |
Tunca, D. (2005). Review of Chris Abani's Graceland and Chimamanda Ngozi Adichie's Purple Hibiscus. Wasafiri, 45 (Summer), 81-83. doi:10.1080/02690050508589972 |
Ledent, B., Tunca, D., & Phillips, C. (2020). "A Growth to Understanding": An Interview with Caryl Phillips about Biographical Fiction. Journal of Commonwealth Literature, 55 (3), 456-468. doi:10.1177/0021989418814586 |
Tunca, D., Mortimer, V., & Del Calzo, E. (2013). An Interview with Chika Unigwe. Wasafiri, 75, 54-59. doi:10.1080/02690055.2013.802439 |
Tunca, D., & Adichie, C. N. (2008). Intervju sa Čimamandom Ngozi Adiči (Cvijanović, I., Trans.). Mostovi, 141-142, 30-33. |
Tunca, D., & Unigwe, C. (2008). Afroeuropa in Conversation with Chika Unigwe. Afroeuropa: Journal of AfroEuropean Studies, 2 (1). |
Tunca, D. (2017). The Chika Unigwe Bibliography. |
Tunca, D. (2011). The Chris Abani Bibliography. |
Tunca, D. (2004). The Chimamanda Ngozi Adichie Website. |
Tunca, D. (2004). The Ben Okri Bibliography. |
Leroy, C., & Tunca, D. (2009). Phonetics. (ULiège - Université de Liège, LGER0007-1). |
Tunca, D. (February 2022). Chimamanda Ngozi Adichie: L'audace de raconter le "vrai". Traces, le journal culturel de l'UCLouvain, 4, p. 2-3. |
Tunca, D. (2016). Americanah de Chimamanda Ngozi Adichie. Culture, le Magazine Culturel de l'Université de Liège. |
Tunca, D., Ledent, B., & Romdhani, R. (Other coll.). (2016). Dossier "Altered States" (nouvelle d'Alecia McKenzie, interview et poèmes de Kei Miller) (Ziane, C., Trans.). Culture, le Magazine Culturel de l'Université de Liège. |
Ledent, B., & Tunca, D. (2013). Mixed Zone 3: "What is Africa to me now? The continent and its literary diasporas". Culture, le Magazine Culturel de l'Université de Liège. |
Tunca, D. (2010). Chimamanda Ngozi Adichie. Culture, le Magazine Culturel de l'Université de Liège. |
Tunca, D. (2009). ACLALS @ Buckingham Palace: A Cynical Scholar's Report on the Celebration of the Commonwealth's Diamond Anniversary. ACLALS Newsletter, p. 3-4. |
Tunca, D. (March 2006). Chimamanda Ngozi Adichie en Chika Unigwe: stemmen die aandacht verdienen (Demetter, L., Trans.). Rekto:verso : Tweemaandelijks Tijdschrift voor Kunstkritiek, 16, p. 18-19. |
Adichie, C. N., Nziza, F., & Tunca, D. (2022). Interview with Chimamanda Ngozi Adichie. |
Wilson, J., & Tunca, D. (2011). Editorial: The Spirit of EACLALS. |
Tunca, D. (2009). Fred D'Aguiar visits the English Department. |
Tunca, D. (2008). Une thèse de doctorat: "Style beyond Borders: Language in Recent Nigerian Fiction". |
Tunca, D. (26 June 2024). A Stylistic Analysis of Violence against Children in Christos Tsiolkas’ The Slap and Its Australian Television Adaptation [Paper presentation]. PALA Conference: Stylistics in the World, Sheffield, United Kingdom. |
Tunca, D. (26 April 2024). The Ethics of (Reading) Metafiction: Revisiting Self-Reflexivity through Form in Chimamanda Ngozi Adichie’s Half of a Yellow Sun and “Jumping Monkey Hill” [Paper presentation]. Recentring Form(s) in and of the Margins: The Politics of Self-Reflexivity, Brussels, Belgium. |
Tunca, D. (31 May 2023). Tweets Fall Apart: Chimamanda Ngozi Adichie and the Role of the African Writer in the Digital Age [Paper presentation]. European Conference on African Studies: African Futures, Cologne, Germany. |
Tunca, D. (25 June 2022). Reading Abiola Irele's The African Scholar and Other Essays [Paper presentation]. 6th Annual Lagos Studies Association Conference (online), Lagos, Nigeria. |
Tunca, D. (13 May 2022). Passing in Zadie Smith's NW [Paper presentation]. The Dynamics of Postcolonial Passings: Comparisons and Intersections, Liège, Belgium. |
Tunca, D. (18 September 2021). Chimamanda Ngozi Adichie's "Modernist" Biofiction: Postcolonial or World Literature? [Paper presentation]. Biofiction as World Literature, Leuven (hybrid conference), Belgium. |
Tunca, D. (09 July 2021). Unscrambling the "Grammar of Violence": Sexual Assault in Chimamanda Ngozi Adichie's Americanah [Paper presentation]. PALA annual conference, Nottingham (online), United Kingdom. |
Tunca, D. (13 March 2020). Compiling a Bibliography of Works by and about Chimamanda Ngozi Adichie: Methodological and Practical Challenges [Paper presentation]. Postcolonial Literary Bibliographies and Archives, Liège, Belgium. |
Tunca, D., & Nwankwọ, I. (10 October 2019). Confronting Race, Colonialism, and Difference in African Diasporic Stand-up: The Cases of Trevor Noah and Cécile Djunga [Paper presentation]. Colloquium on African Stand-up Comedy Practice, Stellenbosch, South Africa. |
Tunca, D. (11 July 2019). The Ethics of Editing: Negotiating Spoken and Written Discourse in Conversations with Chimamanda Ngozi Adichie [Paper presentation]. Poetics and Linguistics Association conference, "Stylistics without Borders", Liverpool, United Kingdom. |
Tunca, D. (22 October 2018). Indexicality and the Ethno-text: The Works of Chimamanda Ngozi Adichie [Paper presentation]. Ethno-textualities and Trans-indigeneity, Paris, France. |
Tunca, D. (28 July 2018). Modality and the Construction of History in Caryl Phillips' 'Made in Wales' [Paper presentation]. Poetics and Linguistics association conference, "Styles and Methods", Birmingham, United Kingdom. |
Tunca, D. (25 May 2018). From Autogenealogy to Controversy: The Facebook Notes of Chimamanda Ngozi Adichie [Paper presentation]. 44th annual conference of the African Literature Association, "The Environments of African Literature", Washington, United States - District of Columbia. |
Ledent, B., & Tunca, D. (January 2018). The Postcolonial Biographical Novel: Aesthetics and Ideologies [Paper presentation]. MLA Convention, New York, United States - New York. |
Tunca, D. (19 July 2017). Microstylistics: Examining the Revised Short Stories of Chimamanda Ngozi Adichie [Paper presentation]. Poetics and Linguistics Association conference, "Interdisciplinary Stylistics", West Chester, United States - Pennsylvania. |
Tunca, D. (14 April 2017). Portrait of the Artist as a Global Fashion Icon: How Postcolonial is Chimamanda Ngozi Adichie's 'Lip Gloss Friendly' Feminism? [Paper presentation]. 43rd Annual Conference of the African Literature Association, New Haven, United States - Connecticut. |
Tunca, D. (28 July 2016). Repetition and Negation as Dialogic Devices in Caryl Phillips's "Northern Lights" [Paper presentation]. Poetics and Linguistics Association conference, "In/Authentic Styles: Language, Discourse and Contexts", Cagliari, Italy. |
Tunca, D. (07 April 2016). "Living on the Edge of Death": Irony in Chris Abani's Song for Night [Paper presentation]. 42nd Annual Conference of the African Literature Association, "Justice and Human Dignity in Africa and the African Diaspora", Atlanta, United States - Georgia. |
Tunca, D. (07 September 2015). A Stylistic Analysis of Caryl Phillips's "Made in Wales" [Paper presentation]. Inaugural Convention of the Postcolonial Studies Association, "Diasporas", Leicester, United Kingdom. |
Tunca, D. (18 July 2015). Towards an "African Stylistics": Apprehending Cross-Cultural Creativity in the Works of Chris Abani [Paper presentation]. Poetics and Linguistics Association conference, "Creative Style", Canterbury, United Kingdom. |
Tunca, D. (05 June 2015). "Only Questions, No Answers": Chris Abani's Dog Woman [Paper presentation]. 41st Annual Conference of the African Literature Association, "African Futures and Beyond: Visions in Transition", Bayreuth, Germany. |
Tunca, D. (24 October 2014). Writing Forth or Talking Back? Chimamanda Ngozi Adichie as Chinua Achebe's Unruly Literary Daughter [Paper presentation]. Celebrating Chinua Achebe's Legacy: Arrow of God at 50, London, United Kingdom. |
Tunca, D. (18 June 2014). A Stylistic Analysis of Caryl Phillips's Foreigners: Three English Lives [Paper presentation]. International congress of the FILLM (Fédération Internationale des Langues et Littératures Modernes), Ningbo, China. |
Tunca, D. (18 April 2014). "The Danger of a Single Short Story: Chimamanda Ngozi Adichie's 'Jumping Monkey Hill'" [Paper presentation]. EACLALS triennial conference, "Uncommon Wealths: Riches and Realities", Innsbruck, Austria. |
Tunca, D. (05 August 2013). "Bi-textual" Poetics: Investigating Form in Chris Abani's Becoming Abigail [Paper presentation]. ACLALS triennial conference, "The current unbroken / the circuits kept open": Connecting Cultures and the Commonwealth, Gros-Islet, St. Lucia. |
Tunca, D. (21 March 2013). "With love for my people": Chika Unigwe's Night Dancer [Paper presentation]. "What is Africa to me now? The continent and its literary diasporas", Liège, Belgium. |
Tunca, D. (03 April 2012). "The Other Half of the Sun": Ideology in Chimamanda Ngozi Adichie's Half of a Yellow Sun [Paper presentation]. 14th conference of the International Association for Dialogue Analysis, "Literature as Dialogue", Turku, Finland. |
Tunca, D. (26 April 2011). The Confessions of a 'Buddhist Catholic': Chimamanda Ngozi Adichie's Growing Crisis of Faith [Paper presentation]. EACLALS triennial conference, "Under Construction: Gateways and Walls", Istanbul, Turkey. |
Tunca, D. (08 June 2010). Portrait of the Artist as a Cross-Dresser: Chris Abani's The Virgin of Flames [Paper presentation]. 15th ACLALS triennial conference, "Strokes across Cultures", Nicosia, Cyprus. |
Tunca, D. (25 March 2010). Intersections on the 'Map of Art': Ben Okri's Dangerous Love and Wilson Harris's The Mask of the Beggar [Paper presentation]. The Invention of Legacy: A Tribute to Hena Maes-Jelinek, Windsor, United Kingdom. |
Tunca, D. (27 February 2010). 'These stories have already been told': Chimamanda Ngozi Adichie and the Complexities of Literary Appropriation [Paper presentation]. Adaptation and Cultural Appropriation, Bayreuth, Germany. |
Tunca, D. (01 October 2009). Au-delà de la schizophrénie postcoloniale : Becoming Abigail de Chris Abani [Paper presentation]. Dislocation culturelle et construction identitaire en littérature et dans les arts, Metz, France. |
Tunca, D. (22 May 2009). 'We die only once, and for such a long time': Translocation as Paradigm in Chris Abani's Song for Night [Paper presentation]. ASNEL conference, "Postcolonial Translocations", Münster, Germany. |
Tunca, D. (18 April 2009). The Burden of Misrepresentation: Writing "Otherness" in John le Carré's The Constant Gardener and Chimamanda Ngozi Adichie's Half of a Yellow Sun [Paper presentation]. 35th annual conference of the African Literature Association, "Africa and Blackness in World Literature and Visual Arts", Burlington, United States - Vermont. |
Tunca, D. (28 March 2008). Writing a 'Freedom Song': Chimamanda Ngozi Adichie's Purple Hibiscus (2003) [Paper presentation]. EACLALS triennial conference, "Try Freedom: Rewriting Rights in/through Postcolonial Literatures", Venice, Italy. |
Tunca, D. (21 February 2008). Ben Okri's Starbook: A Magical Pathway to Reality, or an Enchanted Road to Nowhere? [Paper presentation]. Aesopic Voices: Reframing Truth. in Twentieth-century Folklore, Fairy Tales and Fables, Melbourne, Australia. |
Tunca, D. (27 September 2007). Away from a Definition of African Literature(s) [Paper presentation]. European Perspectives on the Black Atlantic, Huelva, Spain. |
Tunca, D. (16 December 2006). De l'anglais dans la littérature nigériane contemporaine : introduction théorique et études de cas [Paper presentation]. Journées des jeunes chercheurs en africanistique / Dagen van de Jonge Onderzoekers in de Afrikanistiek, Brussels, Belgium. |
Tunca, D. (17 June 2006). De l'anglais dans la littérature post-coloniale : enjeux interculturels [Paper presentation]. Séminaire de doctorants, "L'interculturalité", Saarbrücken, Germany. |
Tunca, D. (02 June 2006). African Studies in Wallonia [Paper presentation]. Transcultural Modernities: Narrating Africa in Europe, Frankfurt, Germany. |
Tunca, D. (16 November 2005). Of French Fries and Cookies: Chimamanda Ngozi Adichie's Immigrant Fiction [Paper presentation]. The African Presence in Europe / Présence africaine en Europe, Antwerp, Belgium. |
Tunca, D. (13 July 2005). Language and Characterization in Chimamanda Ngozi Adichie's Purple Hibiscus [Paper presentation]. UK Network for Modern Fiction Studies Summer Seminar, London, United Kingdom. |
Tunca, D. (01 July 2005). Cross-cultural "Nigerian" Writers [Paper presentation]. 1st AEGIS Conference, London, United Kingdom. |
Tunca, D. (22 March 2005). 'Nigeria is Bus is Stage': The Bus Metaphor in Recent Nigerian Fiction [Paper presentation]. EACLALS triennial conference, "Sharing Places: Searching for Common Ground in a World of Continuing Exclusion", Sliema, Malta. |
Tunca, D. (17 November 2004). Language and Family Ties in Chimamanda Ngozi Adichie's "My Mother, the Crazy African" and Purple Hibiscus [Paper presentation]. Family Fictions: Changing Functions of the Family in Contemporary Postcolonial Literatures in English, Groningen, Netherlands. |
Tunca, D. (22 November 2003). Ben Okri's The Landscapes Within and Dangerous Love: Vision and Revision [Paper presentation]. BAAHE annual conference, Ghent, Belgium. |
Tunca, D. (21 January 2003). L'importance de la langue dans la littérature post-coloniale, en particulier dans le domaine anglophone [Paper presentation]. Séminaires du groupe interdisciplinaire Intersection, Liège, Belgium. |
Tunca, D. (12 November 2018). Chimamanda Ngozi Adichie: Portrait of the Artist as a Feminist Fashion Icon [Paper presentation]. Lecture series "Why Literary Studies Matter Now: Academic Practices in an Anti-Intellectual Climate", Münster, Germany. |
Tunca, D. (09 September 2010). Stylistic Issues in New Nigerian Literature [Poster presentation]. Academia Europaea 22nd Annual Conference - Beyond Lisbon: Europe as Knowledge-Intensive Society, Leuven, Belgium. |
Ledent, B., & Tunca, D. (2007). Littératures anglophones d'Afrique et des Caraïbes [Poster presentation]. Séance exceptionnelle de l’Académie Royale des Sciences d’Outre-mer, Liège, Belgium. |
Tunca, D. (2016). Présentation du film Half of a Yellow Sun [Paper presentation]. Weekend autour du Biafra. |
Dony, C., Ledent, B., Munos, D., & Tunca, D. (2015). Identités et stéréotypes postcoloniaux [Paper presentation]. Cycle de conférences "Colonies: Héritages et Tabous", Liège, Belgium. |
Tunca, D. (2014). Chinua Achebe's Arrow of God: More Questions than Answers? [Paper presentation]. Igbo Literary and Language Day, Anvers, Belgium. |
Tunca, D. (2009). Hedendaagse Nigeriaanse Literatuur [Paper presentation]. Boulevard Amandla : Afro Antwerps Kunstenforum, Anvers, Belgium. |
Ledent, B., & Tunca, D. (2006). La littérature post-coloniale : l'exemple du Nigeria [Paper presentation]. Conférences proposées par l'Espace Universitaire de Liège, module thématique sur "L'Afrique noire", Liège, Belgium. |