Verbeeck, M. (2024). Practising theory, theorising the practice: from C. Brandi to S.Munoz Vinas. In Valerie Magar, Isabel Medina-González, ... Yolanda Madrid Alanís, TRAYECTORIAS TEÓRICAS DE LA CONSERVACIÓN (pp. 99-116). Mexico, Mexico: INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA. |
De Clercq, C., & Verbeeck, M. (2022). Open wetenschappelijke communicatie via sociale media, een tool om de context beter te begrijpen? In Marjan Buyle, Colloque APROA-BRK 2022 Conservation-restauration en contexte / Colloquium BRK-APROA 2022 Conservatie-restauratie in context (21-22/04/2022). Bruxelles, Belgium: APROA/BRK. |
Verbeeck, M. (2021). La Joconde et le Mustang. Réflexions sur les paradoxes contemporains en conservation-restauration. In M. Menu & L. Mailho (Ed.), LE CENTRE DE RECHERCHE ET DE RESTAURATION DES MUSÉES DE FRANCE, 20 ANS DÉJÀ ! PARIS - 2019 (pp. 65-74). C2RMF. |
Verbeeck, M. (04 October 2021). From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art. Journal of the American Institute for Conservation, 60 (2-3), 105-114. doi:10.1080/01971360.2021.1968594 |
Houbart, C., & Verbeeck, M. (July 2021). The Abode of Chaos: a Refreshing Challenge for Conservation Theory and Practice. ICOM-CC Modern Materials - Contemporary Art Newsletter, 12 (Triennium 2021-23), 27-28. |
Verbeeck, M. (2021). Intentio operis. From the “enclosed garden” to the open work. In Bridgland Janet, Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021. Paris, France: ICOM. |
Verbeeck, M., & Mumbembele, P. (2021). L’avenir des restitutions : droits culturels, formation et autonomisation en matière de conservation du patrimoine [Paper presentation]. Colloque ARES -La Cooperation universitaire au developpement aI'epreuve de l'apres Covid-19, Kinshasa, Congo - Kinshasa. |
Verbeeck, M. (08 October 2019). Brandi et la restauration de l’art contemporain. En deçà et au-delà de la Teoria. Conversaciones, 7. |
Verbeeck, M. (2019). Brandi and the restoration of contemporary art. One side and the other the Teoria. Conversaciones, (7), 211-226. |
Verbeeck, M. (September 2019). The Importance of Knowledge-Sharing Tools. Iccrom Annual Report 2018, 44, p. 30-31. |
Verbeeck, M. (15 May 2019). From prism to kaleidoscope [Paper presentation]. American Institute for Conservation, Uncasville, Connecticut, United States. |
Verbeeck, M., & Broers, N. (2019). Théorie de la restauration et Art contemporain: une conceptualisation au service de la pratique. In G. Barabant & L. Mailho (Eds.), "Conserver et restaurer l’art contemporain. Modifications des pratiques et recherches de légitimité" (pp. 62-75). Paris, France: C2RMF. |
D'Haenens, M., Verbeeck, M., & Strivay, D. (2018). Nicolas Schöffer’s collection: from the artist’s studio to the museum. In R. Rivenc & R. Bek (Eds.), Keep it moving ? Conserving kinetic art: Proceedings from the meeting organized by the Getty Conservation Institute, the ICOM-CC Modern Materials and Contemporary Art Working Group, and Museo del Novecento (pp. 113-119). The Getty Conservation Institute. |
Verbeeck, M. (2018). De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? CeROArt: Conservation, Exposition, Restauration d'Objets d'Art. doi:10.4000/ceroart.6020 |
Stoner, J., & Verbeeck, M. (2017). The impact of Paul Philippot on the theory and history of conservation/restoration. In J. Bridgland (Ed.), Linking Past and Future (pp. 1908). Paris, France: ICOM. |
Verbeeck, M. (2017). How to encourage conservators to produce knowledge. The CeROArt ‘lab’: Looking back at ten years of experience. In J. Bridgland, Linking Past and Future (pp. 0311). Paris, France: ICOM. |
Verbeeck, M. (2016). ‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice. In Saving the Now: Crossing Boundaries to Conserve Contemporary Works. International Institute for Conservation of Historic and Artistic Works. doi:10.1080/00393630.2016.1188647 |
Verbeeck, M. (Ed.). (2015). Mélanges en l'honneur de Roger Marijnissen. CeROArt. |
Verbeeck, M. (2014). Study day: The Conservation of Nicolas Schöffer’s Cybernetic Tower. ICOM-CC - Newsletter, 7-8. |
Verbeeck, M., & Breuil, M.-H. (2014). Teaching conservation-restoration in an art school: sharing expériences. CeROArt: Conservation, Exposition, Restauration d'Objets d'Art. |
Verbeeck, M., & Buyle, M. (2014). Le miroitement des mots. In M. Buyle (Ed.), Lustre et brillance en conservation-restauration - Glans in de conservait-restauratie (pp. 11-22). Bruxelles, Belgium: Agence du patrimoine de Flandre. |
VAN CALOEN, V., & Verbeeck, M. (2010). Une restauration « spectaculaire », Le cas d’une Vierge à l’Enfant restaurée par Joseph Van der Veken. CeROArt: Conservation, Exposition, Restauration d'Objets d'Art, 5. |
Verbeeck, M. (2009). Penser les pratiques après C.Brandi. Vers une praxéologie et axiologie des restaurations en art contemporain. In Art d’aujourd’hui, patrimoine de demain, Actes du colloque SFIIC-INP (pp. 57-64). Paris, France: SFIIC. |
Verbeeck, M. (2009). De l'axiologie. CeROArt: Conservation, Exposition, Restauration d'Objets d'Art, 4. |
Verbeeck, M. (2007). L'oeuvre du temps. Réflexion sur la conservation et la restauration d'objets d'art. Images Re-Vues, 4. |