Verbeeck, M., & Wingenga, P.-I. (2024). Conservation as a tool for cultural rights in DRC : "We have gaps" project. Studies in Conservation. |
Verbeeck, M. (2024). Practising theory, theorising the practice: from C. Brandi to S.Munoz Vinas. In Valerie Magar, Isabel Medina-González, ... Yolanda Madrid Alanís, TRAYECTORIAS TEÓRICAS DE LA CONSERVACIÓN (pp. 99-116). Mexico, Mexico: INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA. |
Verbeeck, M. (20 September 2023). A sustainable future for endogenous conservation in the Democratic Republic of the Congo [Paper presentation]. Colloque ICOM-CC Valencia. |
Verbeeck, M. (2023). Utilité sociale et conservation. In 75e anniversaire de l'Institut Royal du Patrimoine Artistique. Bruxelles, Unknown/unspecified: KIK/IRPA. |
Verbeeck, M., & Tshimpi, A. (2023). Patrimoines ethnographiques, Droits culturels et conservation-restauration [Paper presentation]. Conférence du Collège Belgique. |
Verbeeck, M. (29 September 2022). Learning from innovating approaches in heritage education: PICCO project (patrimoine, Identité culturelle et conservation) [Paper presentation]. Learning from innovating approaches in heritage education - Webinaire, Rome, Italy. |
De Clercq, C., & Verbeeck, M. (2022). Open wetenschappelijke communicatie via sociale media, een tool om de context beter te begrijpen? In Marjan Buyle, Colloque APROA-BRK 2022 Conservation-restauration en contexte / Colloquium BRK-APROA 2022 Conservatie-restauratie in context (21-22/04/2022). Bruxelles, Belgium: APROA/BRK. |
Verbeeck, M. (2021). La Joconde et le Mustang. Réflexions sur les paradoxes contemporains en conservation-restauration. In M. Menu & L. Mailho (Ed.), LE CENTRE DE RECHERCHE ET DE RESTAURATION DES MUSÉES DE FRANCE, 20 ANS DÉJÀ ! PARIS - 2019 (pp. 65-74). C2RMF. |
Verbeeck, M. (04 October 2021). From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art. Journal of the American Institute for Conservation, 60 (2-3), 105-114. doi:10.1080/01971360.2021.1968594 |
Houbart, C., & Verbeeck, M. (July 2021). The Abode of Chaos: a Refreshing Challenge for Conservation Theory and Practice. ICOM-CC Modern Materials - Contemporary Art Newsletter, 12 (Triennium 2021-23), 27-28. |
Houbart, C., & Verbeeck, M. (2021). Transcending boundaries in the use of concepts: the case of antifragility. In J. Bridgland (Ed.), Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021. Paris, France: International Council of Museums. |
Verbeeck, M. (2021). Intentio operis. From the “enclosed garden” to the open work. In Bridgland Janet, Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021. Paris, France: ICOM. |
Verbeeck, M., & Mumbembele, P. (2021). L’avenir des restitutions : droits culturels, formation et autonomisation en matière de conservation du patrimoine [Paper presentation]. Colloque ARES -La Cooperation universitaire au developpement aI'epreuve de l'apres Covid-19, Kinshasa, Congo - Kinshasa. |
Verbeeck, M. (08 October 2019). Brandi et la restauration de l’art contemporain. En deçà et au-delà de la Teoria. Conversaciones, 7. |
Verbeeck, M. (2019). Brandi and the restoration of contemporary art. One side and the other the Teoria. Conversaciones, (7), 211-226. |
Verbeeck, M. (September 2019). The Importance of Knowledge-Sharing Tools. Iccrom Annual Report 2018, 44, p. 30-31. |
Houbart, C., Dawans, S., & Verbeeck, M. (15 May 2019). Opening general session - The CoToCoCo project : a Conceptual Toolkit for Contemporary Conservation [Paper presentation]. New Tools, Techniques and Tactics in Conservation and Collection Care, Uncasville, United States. |
Verbeeck, M. (15 May 2019). From prism to kaleidoscope [Paper presentation]. American Institute for Conservation, Uncasville, Connecticut, United States. |
Verbeeck, M., & Broers, N. (2019). Théorie de la restauration et Art contemporain: une conceptualisation au service de la pratique. In G. Barabant & L. Mailho (Eds.), "Conserver et restaurer l’art contemporain. Modifications des pratiques et recherches de légitimité" (pp. 62-75). Paris, France: C2RMF. |
Verbeeck, M. (2019). La Joconde et le Mustang. Réflexions sur les paradoxes contemporains en conservation-restauration [Paper presentation]. colloque anniversaire - 20 ans déjà - Centre de recherche et de restauration des musées de France, Paris, France. |
Verbeeck, M. (15 November 2018). From the artist's intentionality to the "effect" of the work: observe, describe, quantify the qualitative perception? [Paper presentation]. Acting in Contemporary Art. SBMK symposium, Amersfoort-Utrecht-Amsterdam, Netherlands. |
Verbeeck, M. (27 April 2018). Cloaca de Wim Delvoye et Dirty Corner d'Anish Kapoor. Du cas d'étude à la théorisation contemporaine [Paper presentation]. Journée d'étude Art contemporain, Liège, Belgium. |
D'Haenens, M., Verbeeck, M., & Strivay, D. (2018). Nicolas Schöffer’s collection: from the artist’s studio to the museum. In R. Rivenc & R. Bek (Eds.), Keep it moving ? Conserving kinetic art: Proceedings from the meeting organized by the Getty Conservation Institute, the ICOM-CC Modern Materials and Contemporary Art Working Group, and Museo del Novecento (pp. 113-119). The Getty Conservation Institute. |
Verbeeck, M. (2018). Formation et information en conservation-restauration. In Retour d'expérience et regards rétrospectifs. Paris, France: ARAAFU. |
Verbeeck, M. (2018). De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? CeROArt: Conservation, Exposition, Restauration d'Objets d'Art. doi:10.4000/ceroart.6020 |
Stoner, J., & Verbeeck, M. (2017). The impact of Paul Philippot on the theory and history of conservation/restoration. In J. Bridgland (Ed.), Linking Past and Future (pp. 1908). Paris, France: ICOM. |
Verbeeck, M. (2017). How to encourage conservators to produce knowledge. The CeROArt ‘lab’: Looking back at ten years of experience. In J. Bridgland, Linking Past and Future (pp. 0311). Paris, France: ICOM. |
Verbeeck, M. (09 June 2017). Vandalization of A.Kapoor's "Dirty corner" [Paper presentation]. Vandalism and Art, Maastricht, Netherlands. |
Verbeeck, M. (03 February 2017). L'idée, l'objet, l'effet de Nicolas Schöffer. Éléments de théorisation en restauration contemporaine [Paper presentation]. Autour de Nicolas Schöffer: la conservation-restauration des oeuvres à caractère technologique, Paris, France. |
D'Haenens, M., Verbeeck, M., & Strivay, D. (2017). Development of an antigraffiti treatment for an outdoor rubber sculpture. In T. Bechthold (Ed.), FUTURE TALKS 015 Processes. The Making of Design and Modern Art. Materials, technologies and conservation strategies (pp. 212-219). |
Verbeeck, M. (2016). ‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice. In Saving the Now: Crossing Boundaries to Conserve Contemporary Works. International Institute for Conservation of Historic and Artistic Works. doi:10.1080/00393630.2016.1188647 |
Verbeeck, M. (18 April 2016). Introduction à l'histoire et aux théories de la restauration [Paper presentation]. Leçon inaugurale du département des Conservateurs; Institut National du Patrimoine. |
Verbeeck, M. (2016). There is nothing more pratical than a good theory. Conceptuals tools for the Practioners in Conservation. Studies in Conservation. |
Verbeeck, M., & Broers, N. (2016). Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye. In E. Hermens & F. Robertson (Eds.), Authenticity in transition. London, United Kingdom: Archetypes. |
Verbeeck, M. (12 June 2015). Paul Philippot et la fortune de la Teoria de Cesare Brandi [Paper presentation]. Roberto Longhi, Cesare Brandi, Alessandro Conti. Regards et retour sur la restauration, Paris, France. |
Verbeeck, M. (Ed.). (2015). Mélanges en l'honneur de Roger Marijnissen. CeROArt. |
Verbeeck, M. (16 December 2014). Théories contemporaines de la restauration: de Brandi à Munoz-Vinas [Paper presentation]. Déontologie de la conservation-restauration. |
D'Haenens, M., & Verbeeck, M. (November 2014). Restaurer la Lumière? Les effets luminodynamiques de la Tour Cybernétique de Liège [Paper presentation]. Lumière et Patrimoine 2014, Belgium. |
Verbeeck, M. (2014). Study day: The Conservation of Nicolas Schöffer’s Cybernetic Tower. ICOM-CC - Newsletter, 7-8. |
D'Haenens, M., Verbeeck, M., & Strivay, D. (2014). In situ conservation-restoration in contemporary art collections [Poster presentation]. ENCoRE "Teaching Conservation-Restoration" conference in Liège - ESA Saint-Luc. |
Verbeeck, M., & Breuil, M.-H. (2014). Teaching conservation-restoration in an art school: sharing expériences. CeROArt: Conservation, Exposition, Restauration d'Objets d'Art. |
Verbeeck, M., & Buyle, M. (2014). Le miroitement des mots. In M. Buyle (Ed.), Lustre et brillance en conservation-restauration - Glans in de conservait-restauratie (pp. 11-22). Bruxelles, Belgium: Agence du patrimoine de Flandre. |
Verbeeck, M. (2013). Théories contemporaines de la restauration: de la vision kantienne à l'utilitarisme anglo-saxon [Paper presentation]. Séminaire de déontologie des conservateurs-restaurateurs de l'INP. |
Verbeeck, M., & MARKOPOLOU, E. (2012). L'icône, ou les visages de l'invisible. In M. Buyle (Ed.), Restaurer l'invisible, Actes des journées d'étude BRK-APROA. Onroerend Erfgoed. |
Defeyt, C., Wijnberg, L., Verbeeck, M., & Strivay, D. (2011). The influence of aromatic solvents on CuPC blue pigments in oil paintings [Poster presentation]. The influence of aromatic solvents on CuPC blue pigments in oil paintings, Berlin, Germany. |
Defeyt, C., Sanyova, J., Verbeeck, M., & Strivay, D. (2010). Optical modifications of the copper blue phtalocyanine in presence of aromatic hydrocarbons: problem in conservation of works of art [Poster presentation]. Non-invasive analysis of painting materials, International School Hubert Curien, Structural and molecular archeology 3rd Course, Erice, Italy. |
VAN CALOEN, V., & Verbeeck, M. (2010). Une restauration « spectaculaire », Le cas d’une Vierge à l’Enfant restaurée par Joseph Van der Veken. CeROArt: Conservation, Exposition, Restauration d'Objets d'Art, 5. |
Verbeeck, M. (2009). Penser les pratiques après C.Brandi. Vers une praxéologie et axiologie des restaurations en art contemporain. In Art d’aujourd’hui, patrimoine de demain, Actes du colloque SFIIC-INP (pp. 57-64). Paris, France: SFIIC. |
Verbeeck, M. (2009). La conservation et restauration du patrimoine technique, scientifique et industriel : défis conjoints [Paper presentation]. Colloque: Conservation, étude et restauration du patrimoine scientifique, technique et industriel. |
Verbeeck, M. (2009). De l'axiologie. CeROArt: Conservation, Exposition, Restauration d'Objets d'Art, 4. |
Verbeeck, M. (2007). L'oeuvre du temps. Réflexion sur la conservation et la restauration d'objets d'art. Images Re-Vues, 4. |
Verbeeck, M. (1997). Le péché de curiosité aux temps modernes. In Homo Religiosus, Autour de Jean Delumeau. Paris, France: Fayard. |
Verbeeck, M. (1996). Madeleine dans les commentaires bibliques du XVIIe siècle. In G. Yves (Ed.), Madeleine du XVe au XIXe siècle, Actes du colloque de Fribourg (31 mai-2 juin 1990). Fribourg, Switzerland: Editions Universitaires. |
Verbeeck, M. (1991). Madeleine dans la littérature féminine du Grand Siècle. Cahiers bibliques, LXXXX. |