Publications of Alvaro Ceballos Viro
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See detailEl mundo al revés: revisión del concepto y análisis de su operatividad en las prácticas escénicas de los siglos XVII y XVIII
Ceballos Viro, Alvaro ULiege

in Hipogrifo (2020), 8(1), 11-31

The topsy-turvy world is a well-known concept in cultural history. However, it is often used in an intuitive way, considered to be either a theme or a motif and usually associated with «the carnivalesque» ... [more ▼]

The topsy-turvy world is a well-known concept in cultural history. However, it is often used in an intuitive way, considered to be either a theme or a motif and usually associated with «the carnivalesque». After tracing the gradual appearance of the topsy-turvy world as a historically determined cultural object, this study examines its specific rhetorical fabric, consisting of the paratactic exposition of paradoxical motifs in a descriptive macrostructure. This precise definition brings out subtle differences between works that might otherwise seem to be identical, and underscore major aesthetic changes that could go unnoticed. This will allow us to better understand the suitability of comical interludes for this form of fiction but also to question the topical link established between the topsy-turvy world, carnival and the myth of Cockaigne. [less ▲]

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See detailPoesía y capitalismo. De la literatura publicitaria a los eslóganes idiomáticos
Ceballos Viro, Alvaro ULiege

Conference given outside the academic context (2019)

Esta ponencia trata sobre la dimensión verbal de la publicidad en español desde los pregones hasta los eslóganes contemporáneos. Comenzaremos hablando de los gritos con los que se anunciaban los ... [more ▼]

Esta ponencia trata sobre la dimensión verbal de la publicidad en español desde los pregones hasta los eslóganes contemporáneos. Comenzaremos hablando de los gritos con los que se anunciaban los productos en la Edad Media, nos detendremos en ejemplos divertidos de poesía puesta al servicio de empresas comerciales y terminaremos exponiendo las principales expresiones idiomáticas del español que proceden de anuncios publicitarios y que no suelen recogerse en los repertorios lingüísticos al uso: «la prueba del algodón», «si no hay Casera, nos vamos», etc. [less ▲]

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See detailEl mundo al revés en España
Ceballos Viro, Alvaro ULiege

Conference given outside the academic context (2019)

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See detailEstatuto pragmático y relaciones interdiscursivas de los entremeses del mundo al revés
Ceballos Viro, Alvaro ULiege

Scientific conference (2019, January 30)

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See detailMatemos al lobo: una pieza perdida del Teatro de Arte
Ceballos Viro, Alvaro ULiege

in Mediodía. Revista hispánica de rescate (2019), 2

This paper presents the preserved fragments of _Matemos al lobo [Let’s Kill the Wolf]_, a short play written by the poet Luis de Tapia in 1921 for the children’s theatrical season «Teatro de los Niños» ... [more ▼]

This paper presents the preserved fragments of _Matemos al lobo [Let’s Kill the Wolf]_, a short play written by the poet Luis de Tapia in 1921 for the children’s theatrical season «Teatro de los Niños» put on stage by Gregorio Martínez Sierra. [less ▲]

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See detailLa recepción empírica de Benito Pérez Galdós en la red social digital "Goodreads"
Ceballos Viro, Alvaro ULiege

in Anales Galdosianos (2019), 54

This article examines the empirical reception of nine novels written by Benito Pérez Galdós, based on a corpus of 431 reader comments published on the digital social network Goodreads. These statements by ... [more ▼]

This article examines the empirical reception of nine novels written by Benito Pérez Galdós, based on a corpus of 431 reader comments published on the digital social network Goodreads. These statements by common readers provide insights into diverse reading practices. There is a predominance of emotional reactions, which are sometimes intense, since many readers relate intimately to the characters. Contrary to previous assumptions, the stylistic features of Galdós’ novels also trigger this kind of affective responses. It was further unexpected that many readers find in these nineteenth-century novels key social elements of present-day Spain. Finally, the study found that readers’ interpretations on Goodreads are much less influenced by academic criticism than by editorial paratexts and new digital hermeneutic authorities, like Amazon reviews and the Wikipedia. [less ▲]

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See detailSignificado y sentido de la lectura en Goodreads (el caso de Benito Pérez Galdós)
Ceballos Viro, Alvaro ULiege

Conference (2018, November 02)

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See detailCompte-rendu de J. Zamostny / S. Larson (eds.): Kiosk Literature of Silver Age Spain
Ceballos Viro, Alvaro ULiege

in Iberoamericana (2018), 68

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See detailLa invención del compromiso literario
Ceballos Viro, Alvaro ULiege

Scientific conference (2018, June 14)

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See detailTeoría y praxis de la sátira en la prensa española de la primera Restauración
Ceballos Viro, Alvaro ULiege

Scientific conference (2018, May 24)

Il est sans doute significatif que, parmi les historiens ayant traité du mode satirique, ceux qui l’ont fait avec plus de succès – notamment Dustin Griffin ou Antonio Pérez Lasheras — passent sous silence ... [more ▼]

Il est sans doute significatif que, parmi les historiens ayant traité du mode satirique, ceux qui l’ont fait avec plus de succès – notamment Dustin Griffin ou Antonio Pérez Lasheras — passent sous silence le 19e siècle. Il s’agit là d’un siècle où la presse connait un essor sans pareil, en même temps que les frontières entre les genres classiques s’estompent. Lors que nous feuilletons les journaux soi-disant _satiriques_, ce que nous trouvons ce sont des artéfacts textuels et iconographiques fort variés. Non moins variée est la relation pragmatique que ces documents entretiennent avec la réalité extratextuelle. Est-il donc toujours sensé de renvoyer à une notion de « satire » intuitive et close ? Je tenterai de reconstruire les discours sur la satire et des notions apparentées en vigueur pendant la première _Restauración_ espagnole (1874-1918), à partir de l’analyse rhétorique de certaines de ces revues ainsi que d’une longue série de textes méta-réflexifs de cette époque-là. Je présenterai également plusieurs témoignages concernant le mode satirique dans la caricature et expliquerai pourquoi l’hétérogénéité des magazines satiriques s’avère cruciale dans le fonctionnement pragmatique des fictions critiques. [less ▲]

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See detailEl diablo cojuelo, lazarillo de lectores realistas
Ceballos Viro, Alvaro ULiege

in Francois, Jeromine; Ceballos Viro, Alvaro (Eds.) El personaje transficcional en el mundo hispánico (2018)

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See detailSyllabus de « Questions de linguistique espagnole »
Ceballos Viro, Alvaro ULiege

Learning material (2018)

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See detailCompte-rendu de R.Altamira: El realismo y la literatura contemporánea
Ceballos Viro, Alvaro ULiege

in Iberoamericana (2018), XVIII(67), 266-267

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See detailEl personaje transficcional en el mundo hispánico
Francois, Jeromine ULiege; Ceballos Viro, Alvaro ULiege

Book published by Presses Universitaires de Liège (2018)

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See detailIntroducción
Francois, Jeromine ULiege; Ceballos Viro, Alvaro ULiege

in Francois, Jeromine; Ceballos Viro, Alvaro (Eds.) El personaje transficcional en el mundo hispánico (2018)

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See detailCompte-rendu de Rebeca Martín / Joaquim Parellada (eds.): Una horma para el cuento
Ceballos Viro, Alvaro ULiege

in Iberoamericana (2017), 65

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See detailBibliothek Spanischer Schriftsteller (1886-1904)
Ceballos Viro, Alvaro ULiege

in Fernández, Pura (Ed.) Editores y Editoriales Iberoamericanos (siglos XIX-XXI) - EDI-RED (2017)

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See detailDesde Lejanas Tierras (1814-1910)
Ceballos Viro, Alvaro ULiege

in Fernández, Pura (Ed.) Editores y Editoriales Iberoamericanos (siglos XIX-XXI) - EDI-RED (2017)

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