Mergeai, M. (2013). Creative Spatializations: New Cartographies in Contemporary Black Canadian Fiction. Unpublished doctoral thesis, ULiège - Université de Liège. Jury: Ledent, B. (Promotor), Cuder-Domínguez, P., Martín-Lucas, B., Noxolo, P., ... Pagnoulle, C. |
Mergeai, M. (2008). Commented Translation of Lawrence Hill's Any Known Blood (partim). Unpublished master thesis, ULiège - Université de Liège. Jury: Pagnoulle, C. (Promotor). |
Mergeai, M. (2007). Oceanic Metaphors: Cycles and Circles in Dionne Brand's At the Full and Change of the Moon. Unpublished master thesis, ULiège - Université de Liège. Jury: Ledent, B. (Promotor). |
Munos, D., O'Callaghan, E., & Mergeai, M. (Eds.). (In press). Caryl Phillips’s Genealogies. Leiden, Netherlands: Brill. |
Mergeai, M. (2011). Towards a New Canadianness: Re(-)Membering Canada in Lawrence Hill’s Any Known Blood (1997) and David Chariandy’s Soucouyant (2007). Canada and Beyond: A Journal of Canadian Literary and Cultural Studies, 1 (1-2), 83-103. |
Mergeai, M. (2009). A Story in History: Mapping Places and Memories in Lawrence Hill’s The Book of Negroes (2007). Middle Ground: Journal of Literary and Cultural Encounters, 3, 67-89. |
Mergeai, M. (November 2008). Pour accueillir David Chariandy. Journal de BabeLg, 26. |
Mergeai, M. (2014). Lyrical Cartographies: Re-Drawing the Boundaries of the Black Atlantic in Dionne Brand's A Map to the Door of No Return and At the Full and Change of the Moon. In L. Durán Almarza & E. Álvarez López (Eds.), Diasporic Women's Writing of the Black Atlantic: (En)Gendering Literature and Performance (pp. 64-80). Routledge. |
Mergeai, M. (2008). Atlantic Connections: Metaphors of the Black Diaspora in Dionne Brand's At the Full and Change of the Moon. New Mango Season, 2 (1). |
Mergeai, M. (2012). Dionne Brand. Culture, le Magazine Culturel de l'Université de Liège. |
Mergeai, M. (2011). Imaginary Cartographies: Mapping Toronto in Dionne Brand’s What We All Long For. Paper presented at World Literature, Comparative Literature, Vancouver, Canada. |
Mergeai, M. (2014). The Exclusive Geographies of Toronto in a few Black Canadian Novels. Paper presented at The Geopolitics of Intimacy (Canada and Beyond Seminar 3). |
Mergeai, M. (2012). Evolving Representations of Migrancy in Dionne Brand’s Novels. Paper presented at Canada and Beyond II: From Sea to Sea to Sea and Beyond. |
Mergeai, M. (2011). Beyond the Caribbean: Dionne Brand’s What We All Long For, a Post-National Text? Paper presented at 6th International Caribbean Women's Writing Conference: Comparative Critical Conversations. |
Mergeai, M. (2011). Atlantic Crossings: The Construction of Black (Canadian) Identities in Dionne Brand’s At the Full and Change of the Moon and Lawrence Hill’s The Book of Negroes. Paper presented at EACLALS Triennial Conference: ‘Under Construction: Gateways and Walls’. |
Mergeai, M. (2010). Towards a New Canadianness: A Re-Mapping of Postcolonial Canada in Lawrence Hill’s Fictions. Paper presented at The 15th Triennial ACLALS Conference: Strokes Across Culture, Nicosie, Cyprus. |
Mergeai, M. (2010). Rewriting Canadian Multiculturalism: Lawrence Hill’s and David Chariandy’s Versions. Paper presented at Canada and Beyond: A Seminar. |
Mergeai, M. (2010). Fragmented City, Fragmented Selves: Identity Quests in Dionne Brand's What We All Long For. Paper presented at La ciudad fragmentada en las letras americanas/ The fragmented city in american literary imagination. |
Mergeai, M. (2009). Caribbean Tropicality through Canadian Lenses: Identity and Spatial Representations in Dionne Brand’s and Althea Prince’s Writings. Paper presented at American Tropics: Towards a Literary Geography, United Kingdom. |