Fraysse, C. (December 2025). Recension: A Philosophy of Cover Songs, P.D. Magnus. Volume! La Revue des Musiques Populaires, 22 (2), 105-108. |
Fraysse, C. (2025). From Standard to Oldie : Cover Versions as the Affirmation of the Recording's Creative Authority (1955-1958) [Paper presentation]. IASPM International Conference - Recording Popular Music, Paris, France. |
Fraysse, C. (2025). « Cold Cold Heart », de Hank Williams à Aretha Franklin : généalogie d’une chanson par le geste de reprise [Paper presentation]. Journée doctorale du module Musicologie, Bruxelles, Belgium. |
Fraysse, C. (2024). La reprise comme vecteur de création : Pin Ups de David Bowie, ou le paradoxe du repreneur-créateur [Paper presentation]. Congrès du Bureau des Jeunes Chercheurs, Paris, France. |
Fraysse, C. (2024). Dispossession, reappropriation, recovering: an ontology of covers in popular music [Paper presentation]. Music and Philosophy Study Group International Conference, Londres, United Kingdom. |
Fraysse, C. (2024). Charles Trenet's influence on Serge Gainsbourg: Swing, Irony and Poetry. In Olivier Julien & Olivier Bourderionnet, Serge Gainsbourg: An International Perspective. Londres, United Kingdom: Bloomsbury. |
Fraysse, C. (December 2023). Review: The Journal of Beatles Studies, by Holly Tessler and Paul Long. Popular Music, 44 (3), 483 - 485. |
Fraysse, C. (04 February 2023). Les études pour piano d'Unsuk Chin : une approche transversale [Paper presentation]. Colloque International Unsuk Chin, Paris, France. |
Fraysse, C. (2023). Review: A Women's History of The Beatles, by Christine Feldman-Barrett. Popular Music. |