<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-25T21:11:37Z</responseDate><request verb="GetRecord" identifier="oai:orbi.ulg.ac.be:2268/185090" metadataPrefix="oai_dc">https://orbi.uliege.be/oai/request</request><GetRecord><record><header><identifier>oai:orbi.ulg.ac.be:2268/185090</identifier><datestamp>2026-09-01T13:30:04Z</datestamp><setSpec>com_f00</setSpec><setSpec>col_f03</setSpec><setSpec>class_h03</setSpec><setSpec>class_a07</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.niso.org/schemas/ali/1.0/ http://www.niso.org/schemas/ali/1.0/ali.xsd http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:type xml:lang="en">doctoral thesis</dc:type>
<dc:type>http://purl.org/coar/resource_type/c_db06</dc:type>
<dc:type>info:eu-repo/semantics/doctoralThesis</dc:type>
<dc:title xml:lang="fr">La figurine cisanthrope - Humanité liminale et contagion affective dans le cinéma d'animation</dc:title>
<dc:title xml:lang="en">The cisanthropic figurine - Liminal humanity and affective contagion in animation cinema</dc:title>
<dc:creator>Collignon, Stéphane</dc:creator>
<dc:contributor>Tomasovic, Dick</dc:contributor>
<dc:contributor>Andrin, Muriel</dc:contributor>
<dc:date>2015</dc:date>
<dc:format>417</dc:format>
<dc:identifier>https://orbi.uliege.be/handle/2268/185090</dc:identifier>
<dc:identifier>info:hdl:2268/185090</dc:identifier>
<dc:language>fr</dc:language>
<dc:subject>Animation</dc:subject>
<dc:subject>Cartoon</dc:subject>
<dc:subject>Caricature</dc:subject>
<dc:subject>émotion</dc:subject>
<dc:subject>réalisme</dc:subject>
<dc:subject>Uncanny Valley</dc:subject>
<dc:subject xml:lang="en">Social &amp; behavioral sciences, psychology</dc:subject>
<dc:subject xml:lang="en">Communication &amp; mass media</dc:subject>
<dc:subject xml:lang="en">Arts &amp; humanities</dc:subject>
<dc:subject xml:lang="en">Performing arts</dc:subject>
<dc:subject xml:lang="fr">Sciences sociales &amp; comportementales, psychologie</dc:subject>
<dc:subject xml:lang="fr">Communication &amp; médias</dc:subject>
<dc:subject xml:lang="fr">Arts &amp; sciences humaines</dc:subject>
<dc:subject xml:lang="fr">Arts du spectacle</dc:subject>
<dc:description xml:lang="en">This thesis aims at answering an apparently simple question: How come "cartoony" characters always seem to be able to trigger better affective responses than more realistic ones (therefore avoiding the uncanny valley). By linking classical animated cartoons to their print cartoon ancestors, the author is able to call upon the array of studies on caricature perception to build a new understanding of animated character design, summed up into a type of character called cisanthropic figurine.</dc:description>
<dc:publisher>ULiège - Université de Liège</dc:publisher>
<dc:publisher>ULB - Université Libre de Bruxelles</dc:publisher>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>