References of "2019"
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See detailLe journalisme d'investigation, méthode et témoignages
Vanesse, Marc ULiege

Book published by PULg (2019)

Ouvrage de réflexion sur le journalisme d'investigation, proposant, d'une part, une méthode pratique d'enquête détaillée en dix étapes, d'autre part, une vingtaine de témoignages d'investigateurs renommés ... [more ▼]

Ouvrage de réflexion sur le journalisme d'investigation, proposant, d'une part, une méthode pratique d'enquête détaillée en dix étapes, d'autre part, une vingtaine de témoignages d'investigateurs renommés relatant leurs enquêtes emblématiques. [less ▲]

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See detailLa « réflexivité » : une compétence transversale dans la formation des enseignants ?
Hindryckx, Marie-Noëlle ULiege; Schneider, Maggy ULiege

in Recherches En Education (2019), 37

In French-speaking Belgium, a decree on the training of teachers specifies a set of objectives and of attitudes that must be aimed by any didactic device designed to prepare them for their future job ... [more ▼]

In French-speaking Belgium, a decree on the training of teachers specifies a set of objectives and of attitudes that must be aimed by any didactic device designed to prepare them for their future job. This set is largely dictated by the model of the "reflective practitioner" able to "have reflective regards to his practice" in order to adapt the way he teaches to the classroom circumstances by a "back and forth" between theory and practice. Two case studies at the upper secondary level, concerning the biological sciences and the mathematics, allow us to point out knowledge related to the epistemology of the concerned knowledge, whose lack of control, by the students-teachers in initial formation, prevents them to be reflexive in choosing a teaching method and especially feeding it appropriately. Looking at reflexivity, we examine here the concept of cross-curricular competence and its "sensitivity" to more strictly disciplinary knowledge, hoping to add elements into the current debate on this subject whether it is about disciplinary learning or teachers training. [less ▲]

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See detailFranz Brentano
Boccaccini, Federico ULiege; Antonelli, Mauro

Book published by Carocci (2019)

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See detailDe la place des genres textuels dans les familles de tâches en langues modernes
Simons, Germain ULiege; Meunier, Deborah ULiege

Scientific conference (2019, February 25)

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See detailUS Literature and the Toxic Sublime
Lombard, David ULiege

Book published by Quodlibet (2019)

According to Jennifer A. Peeples, the “toxic sublime” refers to “the tensions that arise from recognizing the toxicity of a place, object or situation, while simultaneously appreciating its mystery ... [more ▼]

According to Jennifer A. Peeples, the “toxic sublime” refers to “the tensions that arise from recognizing the toxicity of a place, object or situation, while simultaneously appreciating its mystery, magnificence and ability to inspire awe”. As an alternative to the “technological sublime”, which creates awe through the contemplation of human efforts to master the environment, it urges us to consider the negative and noxious aspects of such endeavours. Through her analysis of Edward Burtynsky’s “Manufactured Landscapes”, Peeples introduces a new form of sublime aesthetics, which may also be used as a valuable trope in the study of the relationship between literature and our physical environment. My goal in this study is to extend such considerations to the recent history of American literature, using examples such as Rachel Carson’s “A Fable for Tomorrow” (1962), which describes the invisible “lethal film” made of “systemic insecticides” that converts natural species into carcinogenic poison, thus depicting landscapes as intoxicated “places of beauty” that no longer symbolise human abilities to dominate the environment but rather their lack of control over it. Likewise, in Don DeLillo’s novel White Noise (1985), the protagonist Jack Gladney experiences his daughter’s “utterance” of the car brand “Toyota Celica” as “beautiful and mysterious”, which “str[ikes] [him] with the impact of a moment of splendid transcendence”. Gladney then proceeds to relate his family’s “garbage” to his relatives’ selves as it is a “sign[] of [their] deepest nature”. Jack’s approach to human waste shows that what Cynthia Deitering defines as the “toxic consciousness”—the general awareness of the existence of toxicity in the landscape—is to be associated with the protagonist’s idea of “consumer consciousness”. Indeed, the term toxicity can also metaphorically refer to the “poisoned” nature of our relationship to and perception of specific places, objects, or situations. The viewer in national parks, for instance, tends to see the “sublime landscape” as a “series of picturesque scenes”, which allows him to consume the scene as an “object of artistic consumption”. Such examples point to different but related ways of examining distinct forms of toxicity that characterise our relationship with our physical environment. They also prompt us to examine the problematic nature of technology and progress while dealing with the elusive and paradoxical nature of the technological sublime. [less ▲]

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See detailLes temps carcéraux
Englebert, Jérôme ULiege

Conference (2019, January 26)

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See detailTrouble borderline et logiques relationnelles
Englebert, Jérôme ULiege

Conference (2019, January 19)

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See detailArchitecture and deconstruction: translation as a matter of speculative theory
Bodart, Céline ULiege

in Bodart, Céline (Ed.) ROUTES OF KNOWLEDGE. Journeys and vehicles of architectural theory, 196X-199X (2019, January)

If this conference proposes to explore the singular and minor expressions of architectural theory, it could at first seem strange to propose here a paper about the so-called derridean years of ... [more ▼]

If this conference proposes to explore the singular and minor expressions of architectural theory, it could at first seem strange to propose here a paper about the so-called derridean years of architecture. Rather, the vast body of literature produced on this specific episode argues that the encounter of architectural discourses with derridean deconstruction played a major role into the implementation of "the gilded age of theory" (Mallgrave, Goodman, 2011). But such an "age" needs now to be redefined in regard with its own cultural boundaries. What the decon has produced in the Anglo-American field of architectural theory is not what the deconstruction has produced on the French-speaking part of the debate (following the argument of Cusset, 2005). In France, the question of the effects of the Derrida's philosophy on the contemporary architectural discourses and practices still causes a kind of discomfort. "As if" no one could face with what this disciplinary cross-over of the mid-eighties both has produced and has not succeeded in producing; "as if", failure or not, this experimental encounter could had been no effects or consequences on the theories and practices which succeeded it. From one cultural context to another, we have two different versions of a same history. Different but not unrelated. The proposition is here to invest the productive gap between these overlapped versions, in order to question their respective modes of construction but also to re-open their ways of being transmitted. From an original translation of Derrida's Haunt (Wigley, 1993) in French, I would present a methodological approach (Despret, 2001) which attempts to create the conditions of a renewed relation between different versions of what the deconstruction could have produced in architecture. The exercise of the translation is seen as a way to question the co-existence of these different possible versions; a way to slow down the multiple gestures which hastily sweep the hesitations in the shared course of their history. [less ▲]

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See detailLa tradition manuscrite des textes épiques et le sacré
Henrard, Nadine ULiege

in Bragantini-Maillard, Nathalie (Ed.) La chanson de geste et le sacré (2019)

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See detailRequiem pour Marie de Médicis, une œuvre emblématique de la vie musicale à Liège sous le règne de Ferdinand de Bavière
Corswarem, Emilie ULiege

Book published by Brepols (2019)

Au départ d'une messe de Requiem et d'un office des morts composés pour le passage par Liège de Marie de Médicis à l'occasion de la translation de sa dépouille de Cologne à Paris, c'est un descriptif de ... [more ▼]

Au départ d'une messe de Requiem et d'un office des morts composés pour le passage par Liège de Marie de Médicis à l'occasion de la translation de sa dépouille de Cologne à Paris, c'est un descriptif de la vie musicale liégeoise durant la première moitié du 17e siècle que propose cet ouvrage. Il s'articule en une série de thématiques successives visant à aborder l'événement festif et sonore à Liège, l'éducation musicale, la vie musicale des principales institutions religieuses de la ville, les réformes liturgiques et leur impact sur le répertoire conservé et enfin, les échanges entre Liège et l'Empire. [less ▲]

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See detailTypologie des livres de médecine dans l’Égypte byzantine
Marganne, Marie-Hélène ULiege

in Philologia Antiqua : an International Journal of Classics (2019)

The present study on the typology of medical books in Byzantine Egypt is part of a larger research project on the reception of Classical authors in Christian Egypt, developed at the Centre de ... [more ▼]

The present study on the typology of medical books in Byzantine Egypt is part of a larger research project on the reception of Classical authors in Christian Egypt, developed at the Centre de Documentation de Papyrologie Littéraire (CEDOPAL) at the University of Liège. Here I propose to examine various facets of the Greek literary medical papyri from the Byzantine period (284-641): content, format, writing material, layout, and context of production and use. Thus I intend to demonstrate the specificity of this particular type of book in comparison with the Greek medical papyri from Ptolemaic and Roman times, on the one hand, and with other literary and paraliterary papyri from the same period, on the other hand. Furthermore, I will identify traces of the copying and use of Greek medical texts within Christian contexts. [less ▲]

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See detailLooking Beyond: Writers in Motion
Ledent, Bénédicte ULiege

in Nasta, Susheila; Stein, Mark (Eds.) The Cambridge History of Black and Asian British Literature (2019)

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See detailFormation de brèche dans les digues fluviales soumises aux surverses : apports de la modélisation expérimentale et numérique
Rifai, Ismail; El kadi Abderrezzak, Kamal; Violeau, Damien et al

in Digues 2019 - 3eme Colloque National sur les digues maritimes et fluviales de protection contre les inondations (2019)

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See detailHousing the multitude: struggling with impermanence and singularities
Van Rooyen, Xavier ULiege; Bianchi, Michaël ULiege

E-print/Working paper (2019)

Since the financial crisis of 2008, architecture must face growing conditions of instability. This rekindles the necessity to integrate the parameter of uncertainty into architectural design much like the ... [more ▼]

Since the financial crisis of 2008, architecture must face growing conditions of instability. This rekindles the necessity to integrate the parameter of uncertainty into architectural design much like the concerns developed by the radical architects of the 1960s. At that time, these architects associated with the Team X challenged the hegemonic claims of the modern theories and introduced new issues for architecture. They raised the questions of uncertainty, instability over time, and the growing importance of individualities, notably on the subject of the housing and its ability to integrate the inhabitant as an actor. They introduced concepts like the ‘aesthetics of change’ (Smithsons), the ‘open form’ (Hansen), ‘open aesthetic’ (Voelcker) and developed architectural theories regarding indétermination and fragmentation. Out of a synthesis of this theoretical background, we propose to withdraw a conceptual tool with which we review the approach of two contemporary architectural offices, particularly concerned by the question of housing for the great number and exploring notions of indeterminacy, uncertainty, open aesthetics and open structure in their achievements. Doing so, we aim to provide insights to engage with actual and future challenges in the field of housing architecture. [less ▲]

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See detailWittgenstein's Tractatus from the point of view of Bradley's Philosophy
Lejeune, Guillaume ULiege

in Berg, Alexander; Macha, Jakub (Eds.) Hegel-Wittgenstein. Reevaluation of a Difference (2019)

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See detailCreative Economy and Development: International Institution’s Perspectives
De Beukelaer, Christiaan; Vlassis, Antonios ULiege

in Labadi, Sophia (Ed.) The cultural turn in international aid: impacts and challenges for heritage and the creative industries' (2019)

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See detailLa crainte de la mort est-elle fondée? Le point de vue de l'anthropologie kantienne et ses conséquences eu égard au transhumanisme
Lejeune, Guillaume ULiege

in Grapotte, Sophie; Jesus, Paulo; Lequan, Mai (Eds.) Kant et l'humain: géographie, psychologie, anthropologie (2019)

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See detailLandscape-like Architecture Hiroshi Senju Museum as An Alternative to Placelessness
Van Rooyen, Xavier ULiege

E-print/Working paper (2019)

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See detailCo-Housing: The Challenge of Shared Spaces within a Shared Society
Van Rooyen, Xavier ULiege

E-print/Working paper (2019)

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