References of "Mazzola, Alessandro"
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See detailBelgium
Mazzola, Alessandro ULiege

in Wilson, Thomas (Ed.) Europe: An Encyclopedia of Culture and Society (2020)

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See detailThe refugee reception crisis in Europe. Polarized opinions and mobilizations
Rea, Andrea; Martiniello, Marco ULiege; Mazzola, Alessandro ULiege et al

Book published by ULB Press (2019)

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See detailMobilizations and Opinions Regarding Asylum Seekers, Refugees and Undocumented Migrants in Belgium: Frames, Motivations and Actions
Mescoli, Elsa ULiege; Marije, Reidsma; Elien, Diels et al

in Rea, Andrea; Martiniello, Marco; Mazzola, Alessandro (Eds.) et al The refugee reception crisis in Europe. Polarized opinions and mobilizations. (2019)

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See detailThe Reception of Refugees and the Reactions of the Local Population in Hungary
Kováts, András; Mazzola, Alessandro ULiege

in Rea, Andrea; Martiniello, Marco; Mazzola, Alessandro (Eds.) et al The refugee reception crisis in Europe. Polarized opinions and mobilizations (2019)

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See detailPublic opinion and forms of mobilisation concerning asylum seekers and refugees in anti-immigrant times
Mazzola, Alessandro ULiege; Rea, Andrea

Scientific conference (2019, September 07)

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See detailThe refugee reception crisis in Europe. Polarized opinions and mobilizations.
Mazzola, Alessandro ULiege

Conference (2019, July 28)

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See detailLa neo-mobilità giovanile italiana in Belgio
Mazzola, Alessandro ULiege

Conference given outside the academic context (2019)

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See detailThe Refugee Reception Crisis in Europe. Polarized Opinions and Mobilizations
Rea, Andrea; Martiniello, Marco ULiege; Mazzola, Alessandro ULiege et al

in Rea, Andrea; Martiniello, Marco; Mazzola, Alessandro (Eds.) et al The Refugee Reception Crisis in Europe (2019)

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See detailBelgium: History, Culture and Geography of Music
Mazzola, Alessandro ULiege

in Sturman, Janet L. (Ed.) The SAGE International Encyclopedia of Music and Culture (2019)

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See detailBelgium: Modern and contemporary performance practice
Mazzola, Alessandro ULiege

in Sturman, Janet L. (Ed.) The SAGE International Encyclopedia of Music and Culture (2019)

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See detailCultural, ethnic and political dimensions of Mediterraneaness in Neapolitan contemporary music. From a discursive transformation in sounds and lyrics to mobilization against Salvini's Lega.
Mazzola, Alessandro ULiege

in Ethnic and Racial Studies (2019), 42(6),

In the Italian public debate, the Mediterranean has represented a discursive formation employed to describe the South as the Other of the North. It has been associated with cultural representations and ... [more ▼]

In the Italian public debate, the Mediterranean has represented a discursive formation employed to describe the South as the Other of the North. It has been associated with cultural representations and discourses of civicness that identify the South along a specific set of sociocultural elements, moral norms and forms of civic organization. The Italian city of Naples holds much empirical evidence as an originator of such discursive formation. Since the early 1990s, singer-songwriters attempted to transform stereotypical views of Naples and the South, and to popularize a positive idea of Mediterraneaness on a cultural, ethnic and political dimension. This article aims to explore this process through musical and ethnographic sources, and to discuss the way it is mobilized in forms of protest against racism, xenophobia and the rise of extreme-right in contemporary Italy. Neapolitan artists Eugenio Bennato, Almamegretta, 99 Posse and collective Terroni Uniti provide the case studies. [less ▲]

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See detailThe Paradoxes of Music Diplomacy in a Federal Country. A Case Study from Flanders, Belgium
Mazzola, Alessandro ULiege

in Dunkel, Mario; Nitzsche, Sina (Eds.) Popular Music and Public Diplomacy. Transnational and Transdisciplinary Perspectives (2018)

Belgium's public diplomacy cannot be understood without the frame of the political divide characterizing federalism in the country. Unlike others federal states whose self-governing components adopt ... [more ▼]

Belgium's public diplomacy cannot be understood without the frame of the political divide characterizing federalism in the country. Unlike others federal states whose self-governing components adopt policies that converge at the international level, Flanders and Wallonia – the Dutch- and French-speaking communities of Belgium – seem not to act coordinately on this matter. Culture is the principal field where the two communities adopt very different approaches and end up competing for resources and international visibility. Flanders, in particular, support self-representation strategies that produce and circulate images of a singular and homogeneous “Flemish nation”. The action of its cultural institutions seems to focus on an autonomous nation building project rather than situating the community in the larger national – Belgian – dimension. Language is the cultural trait lying at the basis of this conflict known as “community cleavage” that affects both the public and the political sphere. As a verbal art, popular music is one of the most simbolically relevant practices that participate to cultural diplomacy in this context. Starting from ethnographic analysis of Flemish public and private cultural institutions, this paper aims to describe the ways Flemish music policy in international situations is mutually connected to political claims for autonomy and independence at the national level. The research questions are as follows: 1) how does Belgian federalism condition cultural/music diplomacy in Flanders? 2) How does cultural/music diplomacy contribute to the political struggle of Flemish independentism? [less ▲]

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See detailAccidental Activists: When arts practices are unintentionally political
Mazzola, Alessandro ULiege; Damery, Shannon ULiege

Conference (2018, August)

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See detailIn Belgio
Mazzola, Alessandro ULiege; Mescoli, Elsa ULiege; Martiniello, Marco ULiege

in Il Mulino : Rivista Mensile di Attualità e Cultura (2018), 6(18), 165-169

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