Publications and communications of Bastien Bomans

Bomans, B. (07 June 2023). Wild Queerture: The Unnaturalness of Binary Divides in Monique Roffey’s The Mermaid of Black Conch (2020) [Paper presentation]. EACLALS Triennial Conference 2023, Paris, France.

Janssens, P., Bomans, B., Kill, M., & Prestianni, C. (2023). Garder les yeux ouverts: Interview à trois voix. Le Quinzième Jour.

Bomans, B. (2023). Binarités entremêlées : queeriser le genre et la sexualité [Paper presentation]. Noob Night.

Bomans, B. (2023). Commentaires, réflexions et échanges sur le film "The Watermelon Woman" de Cheryl Dunye [Paper presentation]. Ciné-Séminaires féministes.

Bomans, B. (2023). Sounding Caribbean Literary Queerness (Review of Alison Donnell's "Creolized Sexualities"). SX Salon.

Bomans, B. (2023). Retour à l’anormal : réflexions et enjeux de la pensée queer multidimensionnelle. MethIS: Méthodes et Interdisciplinarité en Sciences Humaines, 7.

Bomans, B. (14 December 2022). Synergizing Queerness: The Critical Potentialities of Desire in Trinbagonian Literature and the Diaspora [Paper presentation]. The Abstract (KCL seminar), Londres, United Kingdom.

Bomans, B. (22 October 2022). Just to Be Queer: Epistemological Reflections and the ‘Dis/Embodiment’ of Caribbean Literature [Paper presentation]. “Whose Voice? Power, Knowledge and Positionality in Caribbean Studies”.

Bomans, B. (22 September 2022). Domestic Violence, Homophobia & Harming the Self: Entangled Gendered Perspectives Under Heteropatriarchy in Ingrid Persaud’s "Love After Love" (2020) [Paper presentation]. “Social Change and Gender-Based Violence: Representations in Caribbean Literature and Performance Cultures”.

Bomans, B. (June 2022). Decolonizing Desires: Critical Queerness in Trinbagonian Literature and the Diaspora [Poster presentation]. Caribbean Generations: Rupture, Traditions, Returns.

Bomans, B. (26 May 2022). Rhizomatic Reading/Feeling of the Wor(l)d: Unexpected (Queer) Connections in David Chariandy’s "Soucouyant" [Paper presentation]. 32nd Annual Conference of the Association for Anglophone Postcolonial Studies (Gesellschaft für Anglophone Postkoloniale Studien / GAPS), Frankfurt, Germany.

Bomans, B. (23 May 2022). Imaginer des liens de promiscuité : Le queer décolonial et la critique de l’hétéronormativité blanche dans la littérature caribéenne [Paper presentation]. Journée des Doctorants.

Bomans, B.* , & Kill, M.*. (2022). Co-coordination du cours de master "Voir et agir au prisme du genre: outils théoriques et critiques" (2021-2022 / PHIL0229-1) à l'ULiège. (ULiège - Université de Liège, Belgium, PHIL0229-1).
* These authors have contributed equally to this work.

Bomans, B. (2022). When Queerness Is Tinged with Nostalgia: Whitewashing Homonormativity in Low Countries Nationalism and Re-Imagining the Queer-of-Colour past in North American Television and Fiction. Dutch Crossing: a Journal of Low Countries Studies, 46 (3), 244-258. doi:10.1080/03096564.2022.2144605

Bomans, B. (November 2021). Ingrid Persaud, "Love after Love" (Book Review). Journal of West Indian Literature, 30 (1), 135-137.

Bohn, J., Bomans, B., Duriau, N., Lucca, S., Peel, S., & Vierin, M. (21 October 2021). Qui a peur des Gender studies ? Enjeux et méthodes des études de genre en littérature [Paper presentation]. Gender Studies in Belgium: A State of the Art.

Bomans, B. (2021). Les minets ont-ils leur mot à dire ? Corps, genre et expériences de ceux que l’on nomme "twinks". Les Grenades (RTBF).

Bomans, B. (2021). Genre(s) & Sexualité(s): Activité de réflexion et de déconstruction des stéréotypes. (Athénée Royal Paul Brusson (Montegnée), Cours de français).

Bomans, B. (30 April 2021). Imagining Queer Futures: Postcolonial Utopias of Desires in Trinidadian Writing [Paper presentation]. Queer Epistemicides: Languages, Knowledges, Sexualities, United Kingdom.

Bomans, B. (29 April 2021). Imagining Queer Futures: Postcolonial Utopias of Desires in Trinidadian Writing [Paper presentation]. Teatime @ AGS | Les Goûters de l'AGS, Belgium.

Bomans, B. (24 March 2021). Beyond White Gays/Gaze: Imperialist Nostalgia, Racialized Homophobia and Queer Extravaganza [Paper presentation]. Reading "White Innocence. Paradoxes of Colonialism and Race", Liège, Belgium.

Bomans, B. (2021). "Cric, crac, queer": queer storytellers and story-membering in Lawrence Scott's "Witchbroom", Shani Mootoo's "Cereus Blooms at Night" and David Chariandy's "Brother". Canadian Journal of Latin American and Caribbean Studies. doi:10.1080/08263663.2021.1882806

Bomans, B. (2021). Table ronde: "Pink Boys & Old Ladies" de Marie Henry et Clément Thirion.

Bomans, B. (15 December 2020). Queer(y)ing the Chasms: Building Solidarities and Resistance Against Oppression in Queer Trinidadian Literature [Poster presentation]. Young Researchers Overseas’ Day.

Bomans, B. (08 December 2020). ‘Queerly postcolonial, postcolonially queer’ : Aux croisements des oppressions dans l’œuvre littéraire. Cas de la littérature Trinidadienne [Paper presentation]. Les Midis de la Recherche de Tradital.

Bomans, B. (14 November 2020). Retour à l’anormal : De la nécessité d’un prisme queer intersectionnel [Paper presentation]. Journée d'étude: Déviance(s).

Bomans, B. (2020). Code de conduite du Réseau des Doctorant·es (ULiège).

Bomans, B. (2019). 'Queer Crossings': Mirroring Silenced Stories of Oppression in Lawrence Scott’s "Aelred’s Sin" (1998) [Paper presentation]. 5th Annual Postgraduate Conference of the Society for Caribbean Studies, Birmingham, United Kingdom.

Bomans, B. (2019). Les minets ont-ils leur mot à dire ? De la stigmatisation à l'idéalisation d'une tribu gay jugée in/désirable [Master’s dissertation, UCLouvain (master interuniversitaire]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/245089

Bomans, B. (2018). "Never in twos, always in threes…" Or More!: Disrupting the Binary Categories of Gender, Sexuality and Race in Lawrence Scott's "Aelred's Sin" [Master’s dissertation, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/245088

Bomans, B. (2018). 'Cric, Crac, Queer': Re-membering Silenced Stories of Oppression in Lawrence Scott’s "Witchbroom" (1992), Shani Mootoo’s "Cereus Blooms at Night"(1996) and David Chariandy’s "Brother" (2017) [Paper presentation]. Our (Queer) Caribbean Symposium, London, United Kingdom.